8/10
A very enjoyable B-film noir
7 December 2015
Warning: Spoilers
This is a very enjoyable B-film noir which explores some of the darker aspects of life in postwar Britain. John Paddy Carstairs' direction is considerably better when it comes to the character scenes than in the limp and unconvincing fight scenes. It was produced by future Hammer stalwart Anthony Nelson Keys. The production company was Coronet Films Ltd. but I presume that it was not connected to the American company of the same name which made cult classic, incredibly judgemental social guidance short films for schools from the 1940s to the 1970s.

The film stars Richard Attenborough in a great performance as Ted Peters, an at turns brave and foolhardy demobbed British Army soldier turned taxi driver who finds himself mixed up in the black market when his childhood friend and army buddy is murdered. In their first of three films together, his wife Sheila Sim is not as good as Ted's chorus girl fiancée Joy Goodall but she does the best that she can with the character, who doesn't have much personality beyond being sweet and innocent.

The most interesting female character in the film is certainly the alcoholic dancer Toni, played very well by Judy Kelly. Credited under his real name Bill Rowbotham, Bill Owen is great as Ted's murdered friend Dave Robinson who was making a less than honest living on Civvy Street, as are Barry K. Barnes and Barry Jones as the black marketeers Paul Baker and E.J. Gregory. The film is also notable for featuring only the second film appearances of both Dirk Bogarde (whom Attenborough later cast "Oh! What a Lovely War" and "A Bridge Too Far") and Diana Dors, neither of whom are credited. While he has a blink-and-you'll-miss-it appearance as a policeman towards the end of the film and his face is not even very clearly seen, she has a small supporting role as the dancer Annette and quite a bit of dialogue. She certainly looked far older than 15 at the time.
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