Comedies such as 'ALLO 'ALLO have a lot to answer for. While watching some of the scenes where Violette Szabo (Virginia McKenna) is interrogated by the Nazis, I couldn't help recalling parallel scenes where Herr Flick (Richard Gibson) did exactly the same thing, aided (or is it abetted) by the leggy Helga (Kim Hartman) in the Lloyd/Croft British sitcom. This offers a good example of how time can modify our perceptions of a text.
On its own terms, however, Lewis Gilbert's film is a quietly understated biopic of a naive girl with a French mother (Denise Grey) who marries a Frenchman (Alain Saury) in a whirlwind romance. He loses his life at El Alamein, and Violette responds by becoming an agent parachuted into occupied France. Together with her partner Tony Fraser (Paul Scofield in one of his rare screen appearances) they accomplish one mission successfully, but things go horribly wrong when Violette embarks on her second, more dangerous assignment.
The film has some good action sequences, shot in and around Pinewood Studios, but Gilbert's principal focus centers on the characters' interrelationships - between Violette and her father (Jack Warner), who knows what she is doing, but agrees voluntarily to keep it a secret. Violette's relationship with Tony could bloom into love, but both know that they could lose their lives at any moment, so they agree to keep it platonic. McKenna portrays the central character as an ordinary woman with an extraordinary inner strength giving her the courage to undertake the missions while remaining determined to resist any attempts to force vital information out of her.
Her transition from ordinary homemaker to toughened agent is lucidly handled, as she is at first intimidated by and then learns to cope with her uncompromising NCO instructor (Bill Owen). It is a tribute to her strength that she learns to cope with various ordeals, of being ducked in the river, of walking home on a filthy wet night, and handling a shotgun. The training proves invaluable for her later on, when she has to take on a platoon of pursuing Nazis virtually single-handed.
Despite her hopes, Violette Szabo never made it back from the War, leaving her daughter Tanya (Pauline Challoner) to collect a George Medal from King George VI. As Tanya returns to her quiet suburban home with her grandmother and grandfather, we can but reflect that it was chiefly due to Violette's selfless efforts that Britain and the Allies managed to emerge triumphant from six years of conflict.
On its own terms, however, Lewis Gilbert's film is a quietly understated biopic of a naive girl with a French mother (Denise Grey) who marries a Frenchman (Alain Saury) in a whirlwind romance. He loses his life at El Alamein, and Violette responds by becoming an agent parachuted into occupied France. Together with her partner Tony Fraser (Paul Scofield in one of his rare screen appearances) they accomplish one mission successfully, but things go horribly wrong when Violette embarks on her second, more dangerous assignment.
The film has some good action sequences, shot in and around Pinewood Studios, but Gilbert's principal focus centers on the characters' interrelationships - between Violette and her father (Jack Warner), who knows what she is doing, but agrees voluntarily to keep it a secret. Violette's relationship with Tony could bloom into love, but both know that they could lose their lives at any moment, so they agree to keep it platonic. McKenna portrays the central character as an ordinary woman with an extraordinary inner strength giving her the courage to undertake the missions while remaining determined to resist any attempts to force vital information out of her.
Her transition from ordinary homemaker to toughened agent is lucidly handled, as she is at first intimidated by and then learns to cope with her uncompromising NCO instructor (Bill Owen). It is a tribute to her strength that she learns to cope with various ordeals, of being ducked in the river, of walking home on a filthy wet night, and handling a shotgun. The training proves invaluable for her later on, when she has to take on a platoon of pursuing Nazis virtually single-handed.
Despite her hopes, Violette Szabo never made it back from the War, leaving her daughter Tanya (Pauline Challoner) to collect a George Medal from King George VI. As Tanya returns to her quiet suburban home with her grandmother and grandfather, we can but reflect that it was chiefly due to Violette's selfless efforts that Britain and the Allies managed to emerge triumphant from six years of conflict.