Rabid Dogs (1974)
6/10
Italian director Mario Bava conducts a serious study of three psychopathic criminals beyond cure in 'Mad Dogs'.
2 November 2015
Italian director Mario Bava's cult classic 'Cani Arrabbiati' is a study of criminal minds in closed spaces. 'Mad Dogs' was considered to be lost but due to its leading lady Lea Lander's efforts, its glory has been restored enabling fans of horror and exploitation cinema to discover a lost classic. Director Bava shows the wickedness of criminals in closed spaces where they tend to be more vicious as there is no possibility for them to vent their anger through any outlet. As a heist film with utter disregard for human life, highest limits of cruelty are reached in 'Mad Dogs' when two criminals deliberately choose to unleash a fury of sexual violence against the lone woman occupant of a moving car. It is with bawdy jokes and sickening violence that ruthless criminals are able to subdue a weak woman. The film also raises a lot of questions about the inadequacy of police forces in Italy as three hoodlums are shown to have taken the entire city to ransom. Although the film boasts of a solid beginning and a fairly decent middle part, its ending was a huge disappointment as the 'dénouement' didn't match at all with what was being shown to viewers. In 'Rabid Dogs', something is fishy with the way the film progresses can be guessed immediately after the beginning of the film if an observant viewer chooses to watch with attention how the driver seemed to be utterly lost in his own preoccupations. Lastly, one must wait till the end of the film to find how the end as well as the beginning of this film were closely related.
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