* The parade of weird characters in the Alpine luxury resort where the entire film is set - from an obese football player with a tattoo of Karl Marx on his back to a masseuse with braces who declares she likes touching more than talking, and imitates dancing cartoon characters in her spare time.
* The way Jane Fonda's character is introduced - initially filmed from the back, then showing her smile in the reflection of a mirror, and finally facing the camera, radiating maximum diva charisma.
* The abundance of funny dialogue. Here's just one example: - 'Im great in bed'. - 'I know' - 'How do you know?' - 'Because you're my daughter'.
* The lush cinematography, making the film a feast for the eyes.
* The fact that this film is funny, dramatic and melancholic at the same time, and also surprising, entertaining, beautiful, philosophical and versatile.
* Michael Caine, at 82, playing one of the best parts of his career.
* The completely over-the-top video clip by Paloma Faith, which is integrated in the film as a dream sequence.
* The end of the dramatic conversation between Jane Fonda and Harvey Keitel, with both faces filmed sideways in close-up, on both sides of the screen, and finally Fonda's hand on Keitel's cheek.
* The overall sense of watching an extraordinary film.
* The way Jane Fonda's character is introduced - initially filmed from the back, then showing her smile in the reflection of a mirror, and finally facing the camera, radiating maximum diva charisma.
* The abundance of funny dialogue. Here's just one example: - 'Im great in bed'. - 'I know' - 'How do you know?' - 'Because you're my daughter'.
* The lush cinematography, making the film a feast for the eyes.
* The fact that this film is funny, dramatic and melancholic at the same time, and also surprising, entertaining, beautiful, philosophical and versatile.
* Michael Caine, at 82, playing one of the best parts of his career.
* The completely over-the-top video clip by Paloma Faith, which is integrated in the film as a dream sequence.
* The end of the dramatic conversation between Jane Fonda and Harvey Keitel, with both faces filmed sideways in close-up, on both sides of the screen, and finally Fonda's hand on Keitel's cheek.
* The overall sense of watching an extraordinary film.