Alan Arkin is in good form as Abraham, nicknamed "Popi", a Puerto Rican widower in New York's Spanish Harlem who works several different jobs to provide for himself and his two pre-teen boys; he also has the occasional roll in the hay with a tootsie, played by Rita Moreno (to show us, I guess, that Popi is a man with needs--why else is she there?). Character piece from screenwriters Tina and Lester Pine is rather an undemanding showcase for Arkin's talents; he doesn't exactly tone down his manic personality, but he's lukewarm here: likable throughout and a convincing dad to the kids. It's to Arkin's credit that, even when director Arthur Hiller resorts to that hoary device of having a screen character break the fourth wall to address us directly, the actor never becomes intolerable. The film has interesting slum-neighborhood atmospherics, but Hiller isn't concerned with realism and never gets his hands dirty. Take for example the opening credits sequence, which has the two boys leaping and playing in slow-motion in a cemetery--just after visiting their mother's grave. Arkin received a Best Actor-Drama nomination from the Hollywood Foreign Press; Tina Pine and Lester Pine's script was nominated by the WGA for Best Comedy Written Directly for the Screen. ** from ****
Review of Popi
