The debut film of director Edward Pionke is a trip to the dark side for the viewer. As with many direct to streaming services release, this one again falls victim of misleading a careless cover art. What we are lead to believe is we are about to see a horror film, and this is quite simply not what were given. The only reason I cannot rank this film a perfect 10 is because of the misleading cover art and synopsis. The tag line "family is forever" is a bit more fitting, however what we have here is a glimpse into the mind of a truly disturbed man - not a horror film to please the fans of the Saw franchise or the Hostel franchise. If that's what you're looking for, stray away.
We meet Claude, a professor who seems to live a solitary and lonely life. Early on we find out that he holds a woman captive in the basement of his modest home, we are unsure why. As the film dives down the rabbit hole we learn that he deals with issues from being raised by a mother who perhaps drank too much and perhaps nursed too long. Due to an unfortunate accident, Claude is left a broken and disturbed man.
The film takes place mainly in one room, the dank basement of Claude's house. And besides a few very minor side characters, the film circles around two characters, Claude and Kim. Kim is an attractive woman kidnapped under the wrong circumstances and forced to take the role of "mommy" to Claude.
There's no explosions, no high gore, no jump scares or BOO moments. This is a film that hinges upon the audiences ability to allow themselves to be locked in a room with a borderline psychopath and wonder what you would do in similar circumstances. Would you risk dying alone by fighting against your captor or would you get to know who this man is and find your own way out. In many ways the film is a cat and mouse thriller. It's very much Kim Vs. Claude. And as the film goes on it's very much Claude Vs. Claude.
There's not a lot of movie making like this out today. The film was probably dumped direct on video because a studio would be afraid of how to market the film, afraid there would be no audience for it. I cannot imagine that there was a big budget behind this however, so I wouldn't believe it would be hard to make back its budget, because it is a highly interesting film that could be marketed towards an art house crowd - I know they exist.
Besides featuring an interesting and fresh script and solid directing, it contains a performance that you just don't see even in mainstream films. The actor who plays Claude, Casey Chapman, does the unthinkable. Personally, although he does some unforgivable things, I was rooting for Claude. The actor has sympathized the devil. It's a remarkable performance.
With solid support from the co-lead Mackenzie Wiglesworth, Mother's Milk amounts to a solid art house film that's perfectly worth the price of a rental. Besides the weird marketing angle, this is a dark dark gem.
We meet Claude, a professor who seems to live a solitary and lonely life. Early on we find out that he holds a woman captive in the basement of his modest home, we are unsure why. As the film dives down the rabbit hole we learn that he deals with issues from being raised by a mother who perhaps drank too much and perhaps nursed too long. Due to an unfortunate accident, Claude is left a broken and disturbed man.
The film takes place mainly in one room, the dank basement of Claude's house. And besides a few very minor side characters, the film circles around two characters, Claude and Kim. Kim is an attractive woman kidnapped under the wrong circumstances and forced to take the role of "mommy" to Claude.
There's no explosions, no high gore, no jump scares or BOO moments. This is a film that hinges upon the audiences ability to allow themselves to be locked in a room with a borderline psychopath and wonder what you would do in similar circumstances. Would you risk dying alone by fighting against your captor or would you get to know who this man is and find your own way out. In many ways the film is a cat and mouse thriller. It's very much Kim Vs. Claude. And as the film goes on it's very much Claude Vs. Claude.
There's not a lot of movie making like this out today. The film was probably dumped direct on video because a studio would be afraid of how to market the film, afraid there would be no audience for it. I cannot imagine that there was a big budget behind this however, so I wouldn't believe it would be hard to make back its budget, because it is a highly interesting film that could be marketed towards an art house crowd - I know they exist.
Besides featuring an interesting and fresh script and solid directing, it contains a performance that you just don't see even in mainstream films. The actor who plays Claude, Casey Chapman, does the unthinkable. Personally, although he does some unforgivable things, I was rooting for Claude. The actor has sympathized the devil. It's a remarkable performance.
With solid support from the co-lead Mackenzie Wiglesworth, Mother's Milk amounts to a solid art house film that's perfectly worth the price of a rental. Besides the weird marketing angle, this is a dark dark gem.