Twenty years before playing matchmaker Dolly Levi, Ginger Rogers played a real-life Dolly, the famous Washington hostess who eventually became first lady and the name on a donut box. She's a feisty young lady whose father promised her hand in marriage to a man she didn't love, and after a marriage where she doesn't utter "I love you" until its too late, she finds herself involved with two rising politicians, both on opposite sides of the spectrum in government. Aaron Burr (David Niven) is handsome and charming, but his ambitions go far beyond the ideals of early American freedom. James Madison (Burgess Meredith), "the father of the constitution", is quiet and idealistic, even though he quietly manipulates Burr into an introduction to the lovely Dolly. As she learns the truth about each man, her feelings towards both of them change, even though her loyalty towards a traitorous one remains as far as praying that they will see the error of their ways. But evil ambitions rarely change, and Dolly will have to make a drastic decision based upon her own conscience rather than what lies deep in her heart.
If you get past the casting of Ginger Rogers as Dolly Madison, you've won half the battle. She's much more attractive than the real Dolly, but that's Hollywood for you. Another issue is the fact that Ms. Rogers didn't play any other period roles than this one, so her acting may make the character seem a lot more modern than the colonial days this was set in. Getting past all that, she's very sincere in her portrayal and makes Dolly a vibrant force to be reckoned with. Meredith's James Madison is played with quiet dignity, while Niven's Aaron Burr is a force of nature, and one to be reckoned with. Probably the only time Niven ever played a villain, it seems like a role more likely for someone like Vincent Price or George Sanders, but it is a nice switch to see someone as dashing as Niven playing somebody totally despicable.
As the devoted first husband longing to hear the words "I love you", Stephen McNally is very effective and Rogers believably allows her feelings to change from hatred to admiration and later on an unspoken love. If this doesn't really reflect who the true Dolly Madison was, it at least gives the viewer a chance to see what life may have been like at the time and to see Rogers in a different type of role than they are used to. The real power of the drama is in watching Niven's Burr literally go mad with his desire for power and how he is ultimately destroyed by it. Rogers is powerful in her final scene where she begs a mob out to hang Burr not to do so otherwise make him a martyr. The scene is obvious fiction as is the speculation of a romantic connection between Dolly and Aaron, so on that level, this isn't a historical document but a speculation by the writers. It is still enjoyable on a fictional level utilizing real life historical events to cap its story around legend.
If you get past the casting of Ginger Rogers as Dolly Madison, you've won half the battle. She's much more attractive than the real Dolly, but that's Hollywood for you. Another issue is the fact that Ms. Rogers didn't play any other period roles than this one, so her acting may make the character seem a lot more modern than the colonial days this was set in. Getting past all that, she's very sincere in her portrayal and makes Dolly a vibrant force to be reckoned with. Meredith's James Madison is played with quiet dignity, while Niven's Aaron Burr is a force of nature, and one to be reckoned with. Probably the only time Niven ever played a villain, it seems like a role more likely for someone like Vincent Price or George Sanders, but it is a nice switch to see someone as dashing as Niven playing somebody totally despicable.
As the devoted first husband longing to hear the words "I love you", Stephen McNally is very effective and Rogers believably allows her feelings to change from hatred to admiration and later on an unspoken love. If this doesn't really reflect who the true Dolly Madison was, it at least gives the viewer a chance to see what life may have been like at the time and to see Rogers in a different type of role than they are used to. The real power of the drama is in watching Niven's Burr literally go mad with his desire for power and how he is ultimately destroyed by it. Rogers is powerful in her final scene where she begs a mob out to hang Burr not to do so otherwise make him a martyr. The scene is obvious fiction as is the speculation of a romantic connection between Dolly and Aaron, so on that level, this isn't a historical document but a speculation by the writers. It is still enjoyable on a fictional level utilizing real life historical events to cap its story around legend.