Most will be familiar with Campillo's work from the TV adaptation of his film The Returned, Eastern Boys shares many of the same qualities of the TV show; a poetic approach to actions that are usually bluntly handled in cinema. Somehow Campillo manages to seamlessly combine several paradoxical elements and genres and still create an elegant and complete film.
The opening scenes are enough to cement the atmosphere of the film, as you are introduced to the eastern boys of the title, hanging around in the Gare du Nord, but it takes an impressive amount of time before their occupation becomes clear, and even then the plot meanders in ways that you may not be expecting.
Olivier Raboudin and newcomer Kirill Emelyanov are exceptional in the central roles, but Daniil Vorobyev is a revelation as the scene stealing psychotic boss, a performance which easily matches Gary Oldman's Stanfield from Leon. These characters and all the supporting roles are skillfully captured with a minimal and subtle script, that highlights Campillo's peculiar and under appreciated talent to bring cold environments to life.
The opening scenes are enough to cement the atmosphere of the film, as you are introduced to the eastern boys of the title, hanging around in the Gare du Nord, but it takes an impressive amount of time before their occupation becomes clear, and even then the plot meanders in ways that you may not be expecting.
Olivier Raboudin and newcomer Kirill Emelyanov are exceptional in the central roles, but Daniil Vorobyev is a revelation as the scene stealing psychotic boss, a performance which easily matches Gary Oldman's Stanfield from Leon. These characters and all the supporting roles are skillfully captured with a minimal and subtle script, that highlights Campillo's peculiar and under appreciated talent to bring cold environments to life.