Review of Girl Gang

Girl Gang (1954)
6/10
Gang Bang
17 March 2014
Warning: Spoilers
A study in drug abuse like Reefer Madness, Girl Gang emphasizes the sleazy aspects associated with like-minded juveniles who find themselves corrupted by marijuana, and Heroin and delivers a mish mash of gratuitous exploitation.

In an isolated apartment on the wrong side of the tracks June (Joanne Arnold) hangs out with her friends who come there to buy "weed" cigarettes, marijuana, from Joe (Timothy Farrell) who runs a business of selling Heroin to school kids and getting them addicted so they will pull crimes for him. Joe keeps a disbarred alcoholic physician Doc (Harry Keaton) on hand to help with assisting the school kids with clean injections. Joe secures a job for June with a local merchant in order to support her mounting heroin habit. June begins selling sexual favors, and when she is caught stealing money from a business Joe and Doc come forward to blackmail the man into silence. When Joe sends June and some others out to rob a local gas station, a girl gets shot and the police close in on the drug-infested apartment.

It's too bad that, given the resources, the movie could not have been better. Judging by the mise-en-scene, the budget for the film looks to be about as good as it was for Detour nine years earlier. The major difference being that Detour has a strong central character and a strong story arc that carries the viewer from the opening through to the end, whereas Girl Gang never seems to focus on the right thing, first having a girl-gang robbery, which introduces us to drug dealer Joe, which leads us to June, but since June is our main character it only makes sense for us to learn about her and where she comes from and why she has ended up at Joe's apartment. Since we never know why June does what she does we have nothing to care about in the character and her downfall doesn't mean anything to us.

Part of this is the charismatic screen persona of leads Tom Neal and Ann Savage in Detour. Not to take away from the relative merits of Joanne Arnold, and Timothy Farrell, but they were not A-listers nor were they strong actors, although Farrell did have a stronger presence than the eye-candy Arnold. To be honest Arnold was cast because they had a great body and this vehicle was to sell from the male gaze that was seeking cheap visual thrills from her presence on screen.

Arnoldhad done the Playboy spread in 1954 and the producers must have thought they had a sure box-office with her in the movie. She's beautiful to look at but seeing her in motion in the movies it's clear she is not an actress. Her face never registers a glimmer of thought and the lack of her characters progression in the film makes it a flat gratuitous thing.
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