9/10
Must see if your'e an INXS fan - Should see if you're not.
25 February 2014
INXS are arguably Australia's greatest music export. As such they hold a special place in the nation's psyche. Many Australian's can tell you exactly where they were when the news of Michael Hutchence' death was made public. So you can imagine that any film or television depiction of the band would have to be made with this at the fore front of the producers' minds.

This is particularly true of those, such as myself, who grew up in the 80's, bought their albums, and saw them live when they were at their peak. I still consider the 'Australian Made' concert that I attended in January of 1987, to be probably the best I have seen. INXS headlined the show, as at that time they were the biggest act in Australia. Later that year they would release 'Kick', and become for a while, 'the biggest band in the world'.

The show was promoted very heavily. Radio stations were playing INXS specials, Toyota started a new national advertising campaign using 'New Sensation' as the theme, and there were articles about the show and the band throughout the media.

So did it live up to the hype? The answer is a resounding yes! Never Tear Us Apart: The Untold Story of INXS part one deals with the early years of INXS, up until, and just after the release of 'Kick' – their most successful album in 1987. Although a long-time fan, the show shed light on much I did not know about the band, particularly when it came to Chris Murphy - their manager.

The show kicks off (pardon the pun) with INXS playing in front of a sold out crowd at Wembley Stadium in 1991. Footage from 'Live Baby Live' is interspersed with the actors, which perhaps surprisingly works extremely well.

This leads into an interview with Tim Farriss played by Nick Masters talking about the Wembley gig, adding that it wasn't always this way. This interview is the introduction to the story which then goes back to 1979, when INXS were still the Farriss Brothers, and living in Perth.

This technique, of an interview with a band member leading into another part of the story is used throughout the show, and works well. It allows for time to be skipped and shifted without confusing the viewer, even if they are unaware of the history of the band.

The story then shifts to the bands' early years in Sydney, where they get their first manager in Gary Morris, and release their first album. After Morris becomes a born again Christian he introduces the band to Chris Murphy, who, after meeting them decides to give up a lucrative business to manage INXS full time.

The remainder of Part One deals with the rise and rise of INXS, the extent they had to go to, and the risks Murphy was willing to take to make INXS 'the biggest band in the world'.

Part two covers the later years of INXS, mostly concentrating on Michael Hutchence - his increasing isolation from the band, and the downward spiral he finds himself in after being assaulted by a cab driver.

The final scenes depicting Hutchence's death are handled sensitively and extremely well. The day after Part Two was screened, message boards in Australia were filled with comments about how emotionally powerful these scenes were, and how they brought back the same feelings of grief, and or emptiness that were felt 15 odd years ago.

Never Tear Us Apart: The Untold Story of INXS is fascinating viewing. The script is very solid, and the production values are high. It is very well directed by Daina Reid (Paper Giants: The birth of Cleo, and Howzat: The Kerry Packer Story), and as has already been mentioned, the use of archive footage interspersed throughout is done extremely well.

The cast do an amazing job, particularly Damon Herriman (Justified, Vegas), who plays Chris Murphy, and Luke Arnold (Black Sails, Winners and Losers), is absolutely outstanding - in the most difficult role given the circumstances - as Michael Hutchence.

And of course if you are an INXS fan the soundtrack is fantastic.

I cannot recommend Never Tear Us Apart: The Untold Story of INXS highly enough, even if you are not a fan of the band. Perhaps the only negative I can say about it is that if, like me you grew up in the eighties, you will sadly be reminded of the amazingly horrendous fashion of what was otherwise an awesome decade.

9/10
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