Dancing On A Dry Salt Lake incredibly makes invisible dimensions of our lives visible on film.
Its rhythm is of the desert, and in its own way the film pulls us forward almost magnetically.
The humour, in this very human comedy, was like a wake-up call to my inner child – letting me laugh out loud at our human nature.
Dominique De Fazio, as the broken cosmologist Warner de Santis, gave one of the best performances that I have ever seen in film. Like a wizard, he pulls us out of the cinema chair and places us with him in the desert. He tickles our point of view intense for a magnetic urgency to follow him. We walk where he walks and see what he sees. Scene by scene I feel completed as a human being, which I nowadays often forget just to be.
In the end one leaves the theatre with a smile and a thirst for the magic and marvels of ordinary life.
Its rhythm is of the desert, and in its own way the film pulls us forward almost magnetically.
The humour, in this very human comedy, was like a wake-up call to my inner child – letting me laugh out loud at our human nature.
Dominique De Fazio, as the broken cosmologist Warner de Santis, gave one of the best performances that I have ever seen in film. Like a wizard, he pulls us out of the cinema chair and places us with him in the desert. He tickles our point of view intense for a magnetic urgency to follow him. We walk where he walks and see what he sees. Scene by scene I feel completed as a human being, which I nowadays often forget just to be.
In the end one leaves the theatre with a smile and a thirst for the magic and marvels of ordinary life.