The documentary starts off with a thought provoking contrast. We land in the middle of a deadly Afghan war scene, only to see the marines' family reunion in America shortly after. This contrast suggests the frightful incompatibility of these scenes, and hints at the question of how the marines cope with this.
During the story of Nathan back home, our point of view shifts from time to time to the Afghan war scene. These suggest the flashbacks that Nathan experiences.
Ironic scenes from Nathan playing Call of Duty confront the viewer with the barbarity it is of reducing war to an enjoyable video game.
The strongest moment in the film features one of Obama's speeches touching on the Afghan war. The film suggests the ridiculousness, emptiness and idiocy of Obama's idealized speeches about war, and subtly subverts it when a wounded and indifferent Nathan comments: "Well, Afgan people aren't watching." This film suggests that even physically unharmed marines come home profoundly wounded, be it emotional. Nathan's neurotic and unpredictable behaviour makes us question what injury cuts deeper, the physical or the emotional.
During the story of Nathan back home, our point of view shifts from time to time to the Afghan war scene. These suggest the flashbacks that Nathan experiences.
Ironic scenes from Nathan playing Call of Duty confront the viewer with the barbarity it is of reducing war to an enjoyable video game.
The strongest moment in the film features one of Obama's speeches touching on the Afghan war. The film suggests the ridiculousness, emptiness and idiocy of Obama's idealized speeches about war, and subtly subverts it when a wounded and indifferent Nathan comments: "Well, Afgan people aren't watching." This film suggests that even physically unharmed marines come home profoundly wounded, be it emotional. Nathan's neurotic and unpredictable behaviour makes us question what injury cuts deeper, the physical or the emotional.