7/10
Not without dramatic flaws, but an important historical document
16 December 2013
If a bit awkward and rough edged in form, a bit on the nose in it's politics, and a bit melodramatic in it's telling, this is an historically important early 'independent' film. Made by artists largely blacklisted from Hollywood for liberal beliefs, and/or for refusing to testify against others, this was the only film in America's history that was itself blacklisted, and kept out of theaters despite positive reviews.

Yet what it preached; basic dignity and rights for Hispanics, for women, and for workers could hardly be seen, even then, as a real threat to America -- had it not been for hysteria towards all things liberal, progressive, or intellectual –- those things being lumped in with communist revolutionary activity.

It's remarkable for a 1954 film to see an American film with all the leading roles being Hispanic, and played by Hispanics, not white actors in 'brown face'. Even more impressive is the film's early but potent feminist viewpoint.

The issue of women also adds a nice level of complexity to a story that could have felt too simplistic in terms of right and wrong. The male Hispanic workers are almost as guilty of oppressing their wives as the Anglo bosses are of oppressing their Hispanic workers. So there's an acknowledgment that everyone still had a lot to learn about creating an equal society in those days.

Along with the occasionally awkward acting (most of the cast were non-professionals) and occasionally too blatant speech-making, there are some very moving, human and inspiring moments.

And in a nice twist of fate, after being blacklisted from theaters and kept from the public, the film now resides on the national registry of important films.
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