When the fiction is more unsatisfying than the real life, then you're in a big trouble. "The Chameleon" is a weak film because it fails to generate interest in a real life story that has all the elements that could make into a great project. The director made questions he couldn't answer and we couldn't figure out possible reasons for all what happened in the events surrounding a young French (Marc-André Grondin) who claims to be the disappeared son of a poor American family, "returning" to his home after being kidnapped and taken to Europe. The problem is that it's obvious that some members of the family know that this French accented guy can't be Nicky, but they continue with this game until an FBI agent (Famke Janssen) get suspicious about this sudden reappearance.
Its cheap insistence in creating a mystery bigger than the one existing just doesn't work, with the skeletons in the family's closet with people who knew about the kid's real fate, like his older brother (Nick Stahl). And we are easily bothered by the lack of choices, lack of ways for the story to move in a proper manner. A movie like this can't dwell in the psychology involving the main character, therefore we'll never understand the reasoning behind the boy's staying with people who don't care about him. Why the hell he'd trade his erroneous life in France by shooting in the dark with a strange and careless American family, or why he didn't run away from this family he adopted, a bunch of people who wouldn't provide for him with anything? He's not getting much by staying there, no indicative that he's winning something.
The cast tries a little bit harder than what the script can offer to them make something worthy of our attention. Grondin is a fine actor as evidenced in "C.R.A.Z.Y." but here there's only glimpses of that actor, his duality of angelical innocence with some darker traits is relatively good; Janssen was pretty decent and the more her character progress the more we like her, same goes with Emile De Ravin and Brian Geraghty, doing their best; Ellen Barkin was distractive while trying to be exceptional as the mother.
As a drama, it's not as compelling as the plot sounds and could be; as a thriller is just dull and worthless. Bits of decent acting aren't enough to make it tolerable or watchable. 4/10
Its cheap insistence in creating a mystery bigger than the one existing just doesn't work, with the skeletons in the family's closet with people who knew about the kid's real fate, like his older brother (Nick Stahl). And we are easily bothered by the lack of choices, lack of ways for the story to move in a proper manner. A movie like this can't dwell in the psychology involving the main character, therefore we'll never understand the reasoning behind the boy's staying with people who don't care about him. Why the hell he'd trade his erroneous life in France by shooting in the dark with a strange and careless American family, or why he didn't run away from this family he adopted, a bunch of people who wouldn't provide for him with anything? He's not getting much by staying there, no indicative that he's winning something.
The cast tries a little bit harder than what the script can offer to them make something worthy of our attention. Grondin is a fine actor as evidenced in "C.R.A.Z.Y." but here there's only glimpses of that actor, his duality of angelical innocence with some darker traits is relatively good; Janssen was pretty decent and the more her character progress the more we like her, same goes with Emile De Ravin and Brian Geraghty, doing their best; Ellen Barkin was distractive while trying to be exceptional as the mother.
As a drama, it's not as compelling as the plot sounds and could be; as a thriller is just dull and worthless. Bits of decent acting aren't enough to make it tolerable or watchable. 4/10