I was all set to write a "legit" review of "The Heart, She Holler," but after reading the jaw-dropping first entry, then many of the subsequent offerings, I feel that I only have one unique thing to contribute:
Although this show is meant to be comedy, albeit of the creepy, weird voodoo variety, I find Patton Oswald's performance of the character Hurlan, the man-child raised in complete isolation, punctuated with moments of true and genuine heartbreak, as he tries time and time again, to connect with somebody... anybody. The show is interesting, but when either Hurlan or the witch Mother are on the screen, it simply jumps,erupting into new life. It is then that the show leaps to a completely new and higher level.
ADDENDUM: After viewing the third season, I just have to say that this trippy, hypnotic project is a thing of beauty and true genius.
Although this show is meant to be comedy, albeit of the creepy, weird voodoo variety, I find Patton Oswald's performance of the character Hurlan, the man-child raised in complete isolation, punctuated with moments of true and genuine heartbreak, as he tries time and time again, to connect with somebody... anybody. The show is interesting, but when either Hurlan or the witch Mother are on the screen, it simply jumps,erupting into new life. It is then that the show leaps to a completely new and higher level.
ADDENDUM: After viewing the third season, I just have to say that this trippy, hypnotic project is a thing of beauty and true genius.