Probably the most interesting fact about the film is that Robert Carradine is in it and in the same year he appeared in this awful movie, he also had a role in Django Unchained. I used to think Rena Riffel's double was the most impressive thing in Hollywood (Showgirls and Striptease) but the fact Carradine appeared in one movie with the likes of Leonardo DiCaprio, Jamie Foxx and Samuel L. Jackson and direction from Quentin Tarentino and then appeared in this film with a bunch of Hollywood lookalikes (one actress looked like a taller, healthier Selena Gomez, another may be a Jennifer Lawrence clone) in the same year is mind-boggling.
Unlike, say, The 18 Year-Old Virgin or Barely Legal (quickly becoming a personal cult classic), Bikini Spring Break features zero appealing characters, a plot full of holes, non-existent acting and awful pacing. Scenes go on forever, the personalities show zero character development and there's little logic. Just lots of bare breasts.
The actresses playing these one-dimensional characters pretty much play their real-life selves. I saw the movie as a slice of reality of the mind-sets of dumb bimbos than actresses portraying said bimbos.
The threadbare plot sees these moronic beauties driving from Los Angeles to Miami for a Marching Band contest and having their bus break down in Daytona, where they go through the same stuff we've seen for 30-40 years. Nothing ground breaking. Carradine plays their teacher who bravely tries to make the most of his role in order to salvage something when he showed up on to the set of Django Unchained to be ridiculed for appearing in BSP.
There are better raunchy comedies from The Asylum. Unless you can't get enough of bare breasts, pass.
Unlike, say, The 18 Year-Old Virgin or Barely Legal (quickly becoming a personal cult classic), Bikini Spring Break features zero appealing characters, a plot full of holes, non-existent acting and awful pacing. Scenes go on forever, the personalities show zero character development and there's little logic. Just lots of bare breasts.
The actresses playing these one-dimensional characters pretty much play their real-life selves. I saw the movie as a slice of reality of the mind-sets of dumb bimbos than actresses portraying said bimbos.
The threadbare plot sees these moronic beauties driving from Los Angeles to Miami for a Marching Band contest and having their bus break down in Daytona, where they go through the same stuff we've seen for 30-40 years. Nothing ground breaking. Carradine plays their teacher who bravely tries to make the most of his role in order to salvage something when he showed up on to the set of Django Unchained to be ridiculed for appearing in BSP.
There are better raunchy comedies from The Asylum. Unless you can't get enough of bare breasts, pass.