First some truths and then a review of the film itself.
Evelyn Nesbit, from my own impressions of her recent bio, American Eve, and a clip of her singing from 1930, was a coarse, cheap, nearly talentless beauty of 1906 - all this faded by 1930, when she looked quite plain and homely. Stanford White was obese, a womanizer and a trafficker in underage virgins. Harry Thaw was a madman, pure and simple, protected by his wealth. He also was quite plain and homely. Evelyn's mother was also a trafficker, for her daughter - she makes GYPSY's Madame Rose look like Melanie Hamilton.
Hollywood could not have produced a film true to the characters in 1955. It would never have passed the censors. You didn't touch motherhood then. GYPSY on stage was four years later.
Given the basic narrative structure of the facts, and allowing for Hollywood's restrictions, THE GIRL IN THE RED VELVET SWING is for me an excellent filmization of this narrative. Beautifully photographed and given sumptuous production design as well as excellent casting, it stands as a very interesting "take" on the "crime of the century."
I applaud it and its makers. For something truer to the original characters, visit the segments in RAGTIME devoted to this story. Elizabeth McGovern's turn as the passive, dim-witted Evelyn is much truer to the real woman and deservedly brought her an Ocar nomination.
Shame on the Academy for denying it any noms- it deserved recognition in the Cinematography, Art Direction and Costume Design categories. Farley Granger gives his best performance as the deranged Thaw. Glenda Farrell as Mrs. Nesbit also deserved consideration in the supporting category.
Interesting to note that the love theme is a blatant steal from Max Steiner's Melanie and Ashley love theme in GONE WITH THE WIND, borrowing the first two stanzas of that theme.
If they ever film the bisexual Granger's fascinating life, consider Michael Ellison, the sensitive young actor of THE BEST MEN - a look alike with hidden depths.
Do see THE GIRL IN THE RED VELVET SWING and RAGTIME in succession to get an overall impression of this fascinating triangle.
Evelyn Nesbit, from my own impressions of her recent bio, American Eve, and a clip of her singing from 1930, was a coarse, cheap, nearly talentless beauty of 1906 - all this faded by 1930, when she looked quite plain and homely. Stanford White was obese, a womanizer and a trafficker in underage virgins. Harry Thaw was a madman, pure and simple, protected by his wealth. He also was quite plain and homely. Evelyn's mother was also a trafficker, for her daughter - she makes GYPSY's Madame Rose look like Melanie Hamilton.
Hollywood could not have produced a film true to the characters in 1955. It would never have passed the censors. You didn't touch motherhood then. GYPSY on stage was four years later.
Given the basic narrative structure of the facts, and allowing for Hollywood's restrictions, THE GIRL IN THE RED VELVET SWING is for me an excellent filmization of this narrative. Beautifully photographed and given sumptuous production design as well as excellent casting, it stands as a very interesting "take" on the "crime of the century."
I applaud it and its makers. For something truer to the original characters, visit the segments in RAGTIME devoted to this story. Elizabeth McGovern's turn as the passive, dim-witted Evelyn is much truer to the real woman and deservedly brought her an Ocar nomination.
Shame on the Academy for denying it any noms- it deserved recognition in the Cinematography, Art Direction and Costume Design categories. Farley Granger gives his best performance as the deranged Thaw. Glenda Farrell as Mrs. Nesbit also deserved consideration in the supporting category.
Interesting to note that the love theme is a blatant steal from Max Steiner's Melanie and Ashley love theme in GONE WITH THE WIND, borrowing the first two stanzas of that theme.
If they ever film the bisexual Granger's fascinating life, consider Michael Ellison, the sensitive young actor of THE BEST MEN - a look alike with hidden depths.
Do see THE GIRL IN THE RED VELVET SWING and RAGTIME in succession to get an overall impression of this fascinating triangle.