'Call Girl' premiered in the UK yesterday at the Edinburgh International Film Festival and earnt its inclusion with a clever narrative, great casting and an outstanding performance from Pernilla August.
August's portrayal of Dagmar Glans, or the real-life Doris Hope, was remarkably accomplished. Her interactions with the girls, police and politicians of 70's Sweden were entirely convincing. She is at once powerful and repulsive and cannot be ignored.
The film provides social and political context through multiple narratives that allow the audience to glimpse the story from the point of view of the girls, their guardians, Glans, the secret service and the politicians in equal measure.
The clever casting of a wide array of politicians allows the film to show both an intimate and distant side to their world. They are effectively juxtaposed with the girls that they use and, through this, come across to the audience as powerful, feared but flawed characters.
The soundtrack and wardrobe are also worthy of a positive mention.
For me 'Call Girl' is less enjoyable due to some exaggerated acting and plot jumps.
The representation of Simon J Berger's policeman 'hero' is exaggerated. His actions are enough for the audience to understand his noble intentions and his abrasive style. There is no need for the added swagger, the punch and the rock-star dress-sense that is bolted-on to this character.
The change which comes about in the friendship between Iris and Sonja is acted out unconvincingly by Sofia Karemyr and Josefin Asplund.
Also, the sequence at the beginning of the film which shows the press officer in Sandberg's office might confuse viewers. Instead the action could cut directly from the introductory TV interview to Iris and her mother.
This film taught and engaged me and I would highly recommend it. If you enjoyed this movie you may also like 'Shame' (2011).
August's portrayal of Dagmar Glans, or the real-life Doris Hope, was remarkably accomplished. Her interactions with the girls, police and politicians of 70's Sweden were entirely convincing. She is at once powerful and repulsive and cannot be ignored.
The film provides social and political context through multiple narratives that allow the audience to glimpse the story from the point of view of the girls, their guardians, Glans, the secret service and the politicians in equal measure.
The clever casting of a wide array of politicians allows the film to show both an intimate and distant side to their world. They are effectively juxtaposed with the girls that they use and, through this, come across to the audience as powerful, feared but flawed characters.
The soundtrack and wardrobe are also worthy of a positive mention.
For me 'Call Girl' is less enjoyable due to some exaggerated acting and plot jumps.
The representation of Simon J Berger's policeman 'hero' is exaggerated. His actions are enough for the audience to understand his noble intentions and his abrasive style. There is no need for the added swagger, the punch and the rock-star dress-sense that is bolted-on to this character.
The change which comes about in the friendship between Iris and Sonja is acted out unconvincingly by Sofia Karemyr and Josefin Asplund.
Also, the sequence at the beginning of the film which shows the press officer in Sandberg's office might confuse viewers. Instead the action could cut directly from the introductory TV interview to Iris and her mother.
This film taught and engaged me and I would highly recommend it. If you enjoyed this movie you may also like 'Shame' (2011).