I generally agree with the commenter who left a comment titled "TRAVESTY", with the exception of their final few sentences.
The hotel spy-caper farce was idiotic and insulting, but the role of Toddy was cast well.
A filmed stage play or musical can be a wonderful thing. But this one failed before the cameras ever arrived, because it wasn't a good stage experience to begin with.
Similar to the 1933 film, nobody was ever going to mistake this Victoria for a man or boy. They should have found an actor who actually could pass for either sex. Breast-binding probably isn't possible if you're supposed to belt out songs, but that doesn't mean you give up and cast Dolly Parton.
I did like the plot tweaks of the stage version, compared to the 1982 film. Things seemed to be clearer, with a positive message that must have been thrilling for some in the audience. But at the same time, so much was wasted on pointless dance numbers, and songs about nothing. Then instead of acting a scene, too much exposition had to be sung as if reading from a book.
Don't waste you time. Watch the 1982 film.
The hotel spy-caper farce was idiotic and insulting, but the role of Toddy was cast well.
A filmed stage play or musical can be a wonderful thing. But this one failed before the cameras ever arrived, because it wasn't a good stage experience to begin with.
Similar to the 1933 film, nobody was ever going to mistake this Victoria for a man or boy. They should have found an actor who actually could pass for either sex. Breast-binding probably isn't possible if you're supposed to belt out songs, but that doesn't mean you give up and cast Dolly Parton.
I did like the plot tweaks of the stage version, compared to the 1982 film. Things seemed to be clearer, with a positive message that must have been thrilling for some in the audience. But at the same time, so much was wasted on pointless dance numbers, and songs about nothing. Then instead of acting a scene, too much exposition had to be sung as if reading from a book.
Don't waste you time. Watch the 1982 film.