Never So Few (1959)
5/10
Rout Step.
20 December 2012
Warning: Spoilers
I understand this was directed by John Sturges but it's Frank Sinatra's movie all the way. Steve McQueen, in a supporting role, was a rising star at the time and constituted competition for the Chairman of the Board. According to the Presenter on TCM, here's how Old Blue Eyes handled the potentially disturbing relationship: "Here's how it works. I show up and say my lines, and if there's any light left over, you get it." McQueen was savvy enough to keep out of Frank's way. McQueen's part was supposed to be given to Sammy Davis, Jr., but the two had had a falling out and Davis was temporarily in the dog house.

That's all okay. Sinatra was never noted for his reticence or his modesty. The problem is that he seemed at times to believe that his movie career could be carried along by the momentum provided simply by his presence. This is one of his lazier performances. (His better ones include "The Manchurian Candidate" and "From Here to Eternity.") The story has to do with Sinatra and his crew training Kachin tribesmen of the Burma highlands to wage war against the Japanese occupiers in World War II. The Kachin, for what it's worth, are well-known in anthropological circles. But this narrative, as simple as it seems, remains unfocused. There aren't any scenes of Sinatra's crew training the Kachin. You can't tell who is a Kachin and who is an ordinary Burmese.

We can be sure that Gina Lollobrigida is not a Burmese. She's a glamorously made-up Hollywood star who is the mistress of Paul Henreid. After a brief period of emotional turbulence, she decides to run off with Sinatra. She doesn't sweat. The climate is that of a tropical rainforest and she doesn't sweat. Nobody sweats. Everyone's uniforms are clean and dry. Sinatra is outfitted in a faux military corduroy uniform and one of those AnZac hats with the brim curled up on the side. The shoulders are extraordinarily broad and the rest of the uniform loose and baggy. Watching him walk is a painful experience.

There are some scenes of combat that are pedestrian but exciting anyway, even if they're just taken as a relief from the dreary love story between Sinatra and Lollobrigida.

Nice photography by William Daniels. The score by Hugo Friedhofer is lush and romantic and eminently forgettable. You want a good war movie about battle in the China-Burma-India theater? Watch "The Bridge on the River Kwai."
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