It's the Bond film we've all been waiting for. After the stunning reinvention of Casino Royale and the misstep that followed with Quantum of Solace, Skyfall feels like a true resurrection of the character and the Bond universe, and an incredible addition to the storied franchise. From its spectacular opening scene in Istanbul to its sensational climax in the Scottish Highlands, the film grabs hold of the audience and never lets go.
With the great Sam Mendes at the helm, Skyfall is propelled by a veritable narrative purpose. Mendes values story and character over anything, and he gets Bond. His action sequences are thrilling, artfully directed, and a joy to watch. He directs with finesse and nuance the powerful character-driven scenes. He understands the soul and essence of Bond and respects the spirit of the franchise but also breaks new ground with the treatment of the story.
Speaking of which, the script tells a moving, thematically resonant and intelligent story, and features superbly written scenes. It is more focused than Quantum of Solace, which felt oddly disjointed at times. Writers Neal Purvis, Robert Wade and John Logan elegantly balance humorous moments with truly dramatic ones while never straying from the emotional heart of the film. Best of all, they further develop Casino Royale's brilliant idea of delving into Bond's vulnerability and the result is a fascinating and flawed character. The human and moral stakes are high and much more personal this time around. The audience feels emotionally invested in the story. In the end, the film is a reflection on aging and on not only why the world needs Bond but also why he must and will endure.
Visually, Skyfall is a true wonder. Roger Deakins' cinematography is aesthetically magnificent and serves the story well. Deakins shoots Istanbul, London, Macau, Shanghai and the Scottish Highlands in a tasteful, artistic and original manner. It is by far the most beautifully shot Bond I have ever seen. Thomas Newman's score is terrific and rich, cleverly using the classic Bond theme in new and interesting ways and incorporating Adele's already-classic theme to create a memorable piece of music.
Finally, the cast all deliver fine performances. Daniel Craig gives a thoughtful, moving and nuanced performance, which constitutes his strongest interpretation of the character to date. Judi Dench offers a much more intimate and personal take on M. Ralph Fiennes, Albert Finney, Ben Whishaw, Naomie Harris and Berenice Marlohe are memorable. And what to say of Javier Bardem, who steals every scene he appears in? He is funny, unpredictable, frightening and most interestingly, tragic. A fantastic Bond villain.
If you had any reservation about seeing this film after the lacklustre Quantum of Solace, fear no more. Skyfall redeems faults of the past and is one of the best films of the year. It hits all the right notes. Sam Mendes has infused Bond with a deft sense of fun, pathos and class.
It's a great time at the movies.
With the great Sam Mendes at the helm, Skyfall is propelled by a veritable narrative purpose. Mendes values story and character over anything, and he gets Bond. His action sequences are thrilling, artfully directed, and a joy to watch. He directs with finesse and nuance the powerful character-driven scenes. He understands the soul and essence of Bond and respects the spirit of the franchise but also breaks new ground with the treatment of the story.
Speaking of which, the script tells a moving, thematically resonant and intelligent story, and features superbly written scenes. It is more focused than Quantum of Solace, which felt oddly disjointed at times. Writers Neal Purvis, Robert Wade and John Logan elegantly balance humorous moments with truly dramatic ones while never straying from the emotional heart of the film. Best of all, they further develop Casino Royale's brilliant idea of delving into Bond's vulnerability and the result is a fascinating and flawed character. The human and moral stakes are high and much more personal this time around. The audience feels emotionally invested in the story. In the end, the film is a reflection on aging and on not only why the world needs Bond but also why he must and will endure.
Visually, Skyfall is a true wonder. Roger Deakins' cinematography is aesthetically magnificent and serves the story well. Deakins shoots Istanbul, London, Macau, Shanghai and the Scottish Highlands in a tasteful, artistic and original manner. It is by far the most beautifully shot Bond I have ever seen. Thomas Newman's score is terrific and rich, cleverly using the classic Bond theme in new and interesting ways and incorporating Adele's already-classic theme to create a memorable piece of music.
Finally, the cast all deliver fine performances. Daniel Craig gives a thoughtful, moving and nuanced performance, which constitutes his strongest interpretation of the character to date. Judi Dench offers a much more intimate and personal take on M. Ralph Fiennes, Albert Finney, Ben Whishaw, Naomie Harris and Berenice Marlohe are memorable. And what to say of Javier Bardem, who steals every scene he appears in? He is funny, unpredictable, frightening and most interestingly, tragic. A fantastic Bond villain.
If you had any reservation about seeing this film after the lacklustre Quantum of Solace, fear no more. Skyfall redeems faults of the past and is one of the best films of the year. It hits all the right notes. Sam Mendes has infused Bond with a deft sense of fun, pathos and class.
It's a great time at the movies.