In this movie an eighteen-year-old girl, living in an Orthodox Jewish environment, has to make a fateful decision while surrounded with uncertainty-- not only about the consequences of her decision but also about the limits, both outside herself and within herself, on her freedom of action. The movie focuses prominently on her not only figuratively but literally. Her pale, round, expressive face fills the foreground again and again, against the background of brownish interiors and black-clothed men, and it's not a face the viewer gets tired of, nor does it turn her predictable. There are surprises in her behavior, and the audience accepts them. Not so with her male counterpart; when his emotional scene came, I'm sorry to report there were people in the audience who laughed. The movie hadn't made the necessary prior investment in sympathy for him. But to the extent that it belongs to Hadas Yaron as an actress and a photographic subject, it's well worth watching-- and it knows it is; it gives the audience plenty of time to appreciate each shot.
Review of Fill the Void
