Some of the reviews here come off strangely, because to review this film in the same context you would review a movie or a short film is to review it outside of the context for which it was created. Because it wasn't made to be a Feature length or even a short film, it was made to be a ride at an amusement park.
Someone riding a roller-coaster is better served enjoying the twists and turns of the ride than wondering why the ride turned left THEN right, a ride is really just a combination of things that thrill.
And it does thrill, it's a 17 minute tour of the trade-mark styles of some of the most popular artists of the time, and because it was pulled so many creative forces it goes in a direction unexpected and for me is a refreshing and fantastic experience.
It scratches allot of itches I didn't know I had- It's a long form music video, it's MJ creating a character in the same way David Bowie would, it's an answer to the question 'what would it be like to take the most sought after performer and director and have them work together', and much more.
It ages extremely well, I enjoyed it as much on my most recent trip to Disneyland as I did as a kid before it's initial closing. I love the strange 'analog future' setting that is Lucas's trademark, the outlandish music video story and dancing of Michael Jackson, it has the family friendly cutesy hand of Disney in it and the directing of Coppola.
It is so, so much fun when viewed in the proper context. I'm not saying that we shouldn't analyze the parts of this story, but if you frame it in the right context, it is a masterpiece.
Someone riding a roller-coaster is better served enjoying the twists and turns of the ride than wondering why the ride turned left THEN right, a ride is really just a combination of things that thrill.
And it does thrill, it's a 17 minute tour of the trade-mark styles of some of the most popular artists of the time, and because it was pulled so many creative forces it goes in a direction unexpected and for me is a refreshing and fantastic experience.
It scratches allot of itches I didn't know I had- It's a long form music video, it's MJ creating a character in the same way David Bowie would, it's an answer to the question 'what would it be like to take the most sought after performer and director and have them work together', and much more.
It ages extremely well, I enjoyed it as much on my most recent trip to Disneyland as I did as a kid before it's initial closing. I love the strange 'analog future' setting that is Lucas's trademark, the outlandish music video story and dancing of Michael Jackson, it has the family friendly cutesy hand of Disney in it and the directing of Coppola.
It is so, so much fun when viewed in the proper context. I'm not saying that we shouldn't analyze the parts of this story, but if you frame it in the right context, it is a masterpiece.