8/10
Actually I consider this one of the better filmed versions of Romeo and Juliet
21 October 2012
The best one for me is the 1968 Zeffirelli film, while I liked the 1936 Cukor film(though it was less than perfect) but didn't care for the 1996 Luhrmann version. Castellani's does have some clumsily choreographed scenes, the stabbing of Mercutio and Romeo bashing Paris around the head were the worst offenders, a Mercutio that has no feeling for Shakespeare, a Paris that doesn't do anything with his already bland role and a Tybalt that is nowhere near smooth or nasty enough. But of the four versions I put it second to Zeffirelli's. It is notable for its classically elegant settings, dreamy cinematography and beautiful score. And generally the script is witty and full of poetry,though the omission of Mercutio's Queen Mab is regrettable, and generally the actors do have a feel for it. It is intelligently if leisurely directed by Castellani, while the story is still as emotionally resonant as it ever was. The banter between Romeo and Benvolio is very intelligently done too. The performances, apart from Mercutio, Paris and Tybalt, are great. I personally liked Laurence Harvey as Romeo, much preferring him to Leslie Howard in Cukor's. Occasionally he is too monotone in delivery but he is very soulful and poetic on the whole. Susan Shentell brings a lovely gentle quality to Juliet and looks ravishing. Flora Robson is simply delicious as the Nurse, while Mervyn Johns is a noble Friar Lawrence and Sebastian Cabot is a brilliant Lord Capulet. John Gielgud's narration is wonderfully understated. Overall, this version is problematic but on its own it is a visually beautiful and more than decent film. 7.5/10 Bethany Cox
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