Transfer (2010, Germany) is destined to be one of those obscurities that shows up in the discount DVD pile... assuming they have DVDs in the future. The premise is simple: a rich old German couple have their minds transferred into gorgeous young black bodies so they can continue their life and love. The wrinkle is that the original occupants are not purged, but awaken each night for four hours to live their own lives in the midst of their German host lives. Is this a prison or an opportunity?
Excellent acting (and cool futuristic architecture - go Berlin!) is what carries this film. We truly believe the older couple are deeply in love, can understand their decisions, and their misgivings. As we get to know the couple from Africa (Sarah from Ethiopia, Apolain from Mali) we understand their motivations and frustrations. The clever aspect is having four characters play out their drama in only two bodies.
Unfortunately the film is too slow for the content. There are too many scenes that do little to advance the narrative. The resolution seems obvious and rather perfunctory. And it has a cold brutality that doesn't fit with the warm vibes the four principal actors have conjured. (Though Jeanette Hain is icy blue and otherworldly.)
I found the soundtrack rather repetitive and sometimes inappropriate. I kept getting the feeling Transfer was trying too hard to be Gattaca (right down to the unnecessary music recital scene). There are also problems with the ADR that makes me wonder if dialogue wasn't changed in post.
Though Transfer is an intelligent film in a world of rubbish SF, it could have been so much more. I will generously give it a 7, since such efforts should be encouraged.
Excellent acting (and cool futuristic architecture - go Berlin!) is what carries this film. We truly believe the older couple are deeply in love, can understand their decisions, and their misgivings. As we get to know the couple from Africa (Sarah from Ethiopia, Apolain from Mali) we understand their motivations and frustrations. The clever aspect is having four characters play out their drama in only two bodies.
Unfortunately the film is too slow for the content. There are too many scenes that do little to advance the narrative. The resolution seems obvious and rather perfunctory. And it has a cold brutality that doesn't fit with the warm vibes the four principal actors have conjured. (Though Jeanette Hain is icy blue and otherworldly.)
I found the soundtrack rather repetitive and sometimes inappropriate. I kept getting the feeling Transfer was trying too hard to be Gattaca (right down to the unnecessary music recital scene). There are also problems with the ADR that makes me wonder if dialogue wasn't changed in post.
Though Transfer is an intelligent film in a world of rubbish SF, it could have been so much more. I will generously give it a 7, since such efforts should be encouraged.