This episode works in many levels. Acting, production, photo, you name it.
There is still a Walter White at home, but barely visible. We can still see him when he talks with and about his children.
Outside we have Heisenberg trying to grow up his market, almost barely visible because of the lack of Meta.
About the "figurative train": is going with medium speed, but just about to become the "Back to the Future III train" as soon as the ocean of the precious liquid reach his hands.
Lets think just a minute about that sentence in the previous episode 5x04. And then this real train that stops with a Jesse (James) Pinkman idea of getting Meta under the radar.
The "NO! NO! NO!" that Jesse screams at the end is an advise of a train lowering its speed...starting to fill itself with remorse, guilt and repentance.
There is still a Walter White at home, but barely visible. We can still see him when he talks with and about his children.
Outside we have Heisenberg trying to grow up his market, almost barely visible because of the lack of Meta.
About the "figurative train": is going with medium speed, but just about to become the "Back to the Future III train" as soon as the ocean of the precious liquid reach his hands.
Lets think just a minute about that sentence in the previous episode 5x04. And then this real train that stops with a Jesse (James) Pinkman idea of getting Meta under the radar.
The "NO! NO! NO!" that Jesse screams at the end is an advise of a train lowering its speed...starting to fill itself with remorse, guilt and repentance.