Writer/director Matthew Leutwyler manages to challenge the concentration and intellect and attention span of the viewer in this non-linear and ultimately satisfying intertwining of stories that examine the bad in the best of us and the good in the worst of us. Against the backdrop of a child abduction case (person of interest is next door neighbor Beckworth (Greg Germann) we follow five days in the life of Frankie, a single parent detective (Julie Benz) assigned to the case, her best friend Kate (Elizabeth Mitchell) whose determination to get pregnant keeps her from confronting Ryan (Dane Cook) her psychologist husband's infidelity with rock singer Tara (Aja Volkman) while he is attempting to reconcile his parents (his fragile mother played by Barbara Hershey) long separation, an on-line video game addicted school teacher Carter (Mark Kelly) and his obsession with the missing child that pushes him to the edge of vigilantism, a beat cop Jerry (Erik Palladino) grieving over the violent death of his wife, Drew (Miranda Bailey) recovering addict and her wheel chair bound brother Erik (Vincent Vinteresca)preparing for the LA marathon, and Allegra (Kali Hawk), a self-loathing African American TV writer's search for love who happens to be a patient of Ryan's (and who is on the brink of a mixed courtships with a shy and likely virginal Evan played by Zack Gifford). The string of stories asks us to look at their lives (and ours!) and to take action where it is needed to end injustice.
The cast of characters is so strong that despite the rather confusing progress o the story we get to know each character very well. The ending is exceptionally well handled. This is one o those surprise films that appears on the surface to be one of those shallow/too much too fast director's egomaniacal art films, but by film's end the audience simply cannot fail to be touched in many different positive ways.
Grady Harp
The cast of characters is so strong that despite the rather confusing progress o the story we get to know each character very well. The ending is exceptionally well handled. This is one o those surprise films that appears on the surface to be one of those shallow/too much too fast director's egomaniacal art films, but by film's end the audience simply cannot fail to be touched in many different positive ways.
Grady Harp