Review of Spud

Spud (2010)
9/10
Touching and believable
9 August 2012
Warning: Spoilers
It's a rare movie that manages to be both cute and naive, mature and interesting; Spud achieves the paradox to perfection. Anchored by the superb Troye Sivian, this is an easygoing, often funny coming of age story set in a South African boarding school. Whilst the issues of the country are referenced, they are not essential to the plot or even the characterization - people from any nationality will be able to enjoy this.

There is a great dynamic amongst the cast of a whole. The boys in the Crazy 8 appear natural, with a great chemistry and sense of fun, which stop the film getting weighed down by the emotional issues encompassing growing up, fitting in and bullying that crop up. Sivian steals the show as the title character, with an astonishingly touching and believable performance that belies his years. He's also beautifully shot, the director capturing the wide eyed wonder of his endlessly expressive face, shy and insecure but growing in confidence. Cleese is the best of the adults, being both understated and moving as Spud's alcoholic mentor. His scenes with Sivian are especially notable, and are really the heart and soul of the whole film.

Thematically this is essentially a piece about both choice and fate - the importance of making the right decision, whilst never losing sight of the fact we can only play the cards that life has dealt us. If this sounds on paper a little heavy for a school drama, it doesn't feel it in practice. There is no philosophy shoved down the viewers throat, and although the film has points to make and issues to explore, it does it in a subtle enough way that it will not hinder the enjoyment of kids and young adults who might want some light entertainment of lesser substance.

The only gripe was the somewhat tragic ending - the death of a character close to the hero is a perennial plot device of scriptwriters and filmmakers, but it is still a very lazy way of drawing pathos and emotion from the viewer. In this case it was well built to but still felt unnecessary. While I'm not suggesting every film should end on unrealistically joyful terms, there are other ways to create sympathy than blunt death, and it didn't seem necessary in this case in relation to the plot, character or tone of the film.

Overall, though, this is a wonderful piece, both funny and moving and engrossing. More people should see it.
8 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed