8/10
A shot in the arm to the horror genre
29 April 2012
I walked into the theater with very little expectation, besides a dormant penchant of some cheap thrills and chills. But the one thing that kept coming to my mind, while going through the pre-show commercials, was what Total Film called it in one of their past month editions : "reinventing the horror genre". While that may not mean much or anything at all, my subconscious self was yearning for something interesting, minus the torture gores of Eli Roth and his counterparts, that I detest.

The Cabin In The Woods, through its trailers, shouts out aloud that here is a movie that you've seen it all before, and just like what you've come to expect by now, we too have twists, and turns and surprises along the way. In the movie though, what does stand apart by almost a telling yard is that, these twists and turns come to life in the narration, a lot earlier than you'd have anticipated and follows a coherent motive of surprising the viewer, the moment conventional wisdom looked to be the order of the day. Drew Goddard and Josh Whedon wrote a good story but the former, directed it even better. The acting was a well oiled support group that left no stone unturned in exploiting every given opportunity at pulling off histrionics, that such scripts provide. Special mention to the Fran Kranz, who I am told has been a regular in Wheddon's past works. As a nerdy, dope head, his weed act is the catalyst of this experiment and serves the flavour sumptuously with a long ending after taste. There is also no doubt that post Thor and the soon to be released pre-summer blockbuster "The Avengers", Chris Hemsworth's stock price is on the rise. & that will do a world of good, in pulling the Youtube demography into buying cinema tickets for this cabin.

Jenkins & Whitford were pitch perfect Overall, if entertainment was the yardstick to a film's success, The Cabin In The Woods, is an assured and comprehensive winner. Its a shot in the arm to the horror genre. It'd be a crying shame if the most cynical follower of such movies would have anything to complain about this one. In my attempt at not giving too much away, I'd just say that the elaborate climax and all the mayhem that the proceedings give into, all mixed at a tastefully timed pace, should keep you glued to the edge of your seats for minutes that seem to be never ending. The humour quotient is immaculately placed in the entire narration and is never used as a tension diffuser. Such was the balance between perception and truth of the premise, that I had people in my cinema guffaw and shriek in the same scene in a matter of seconds. And I consider them both, bloody genuine reactions. As a film enthusiast I can only imagine the kind of fun the makers and everybody involved in the project may have had. Speaking of which. A homage, although sometimes projected as unintentional, has rarely missed my sights. The opening credits have a subtle touch of Tarantino's flair about them. & the look of the cabin itself and a few other sequences will remind you of Sam Raimi's original Evil Dead. Now you know what we're talking

As you can imagine, being compared to past classics that have done their bits in reviving a genre that sometimes produces overdose of solemn and mournful, can be a great thing. There are times when we tend to take going ons far too seriously and forget that its actually just a movie. If you're one of them, the likelihood of you coming out of the theater feeling shortchanged is very high.So my word of advice, in the words of Mr. S from "School of Rock" is that loosen those hinges on your shoulder, go loosey – goosey, grab your popcorn & soda and find the time to go watch this hilariously frightening piece of work, that has cult written all over it. Look, if not now; than at least in another 10 years perhaps ?

Recommended for the Horror & Thriller lovers. 4/5
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