The only western I've watched this year being the Coen's version of True Grit, Red Hill has a lot to live up to. Ryan Kwanten plays Shane Cooper, a young police officer who has just moved to the isolated town of Red Hill. His first day goes off course though as a local prison has a breakout and convicted criminal, Jimmy Conway (Played by Tommy Lewis) is on the loose and heading for Red Hill. This simple story has a lot going for it accompanied with an excellent shot choice, reminiscent of the Coen's 'No Country For Old Men', in fact, the whole film felt like a homage to western's in general and that's the main flaw of the film. It never has it's own voice; it feels like bits picked from various other and more rounded films so doesn't give it's own flavor.
It can be commended however on it's playful way of mixing horror into the mix. There were countless scenes where the tension was dialed up to 11 making it an edge of the seat experience, not relying on quiet environments followed by loud bangs to get inside the audience's head. It was a very atmospheric piece and Tommy Lewis's representation of Jimmy Conway added to that having a terrifying yet, electrifying screen presence truly invoking a sense of dread into you whenever he was on screen.
While far from being perfect Red Hill is a perfectly fine nuts and bolts westerns with enough plot twists and turns to keep you interested. You just can't help but get a strong sense of déjà vu within the viewing and reminds you of other and far better westerns which have truly earned their rights of classics. Red Hill isn't a classic, but it's a damn good time.
It can be commended however on it's playful way of mixing horror into the mix. There were countless scenes where the tension was dialed up to 11 making it an edge of the seat experience, not relying on quiet environments followed by loud bangs to get inside the audience's head. It was a very atmospheric piece and Tommy Lewis's representation of Jimmy Conway added to that having a terrifying yet, electrifying screen presence truly invoking a sense of dread into you whenever he was on screen.
While far from being perfect Red Hill is a perfectly fine nuts and bolts westerns with enough plot twists and turns to keep you interested. You just can't help but get a strong sense of déjà vu within the viewing and reminds you of other and far better westerns which have truly earned their rights of classics. Red Hill isn't a classic, but it's a damn good time.