10/10
Letting the Images Speak for Themselves
23 November 2011
Sometimes the power in the imagery of a film alone tells an ambiguous tale that can be taken in many directions by a viewer. With the plethora of documentaries on the Iraq and Afghanistan adventures pushing you this way or that, it was incredibly refreshing to see one that had its intentions somewhere else. Just present the war and its impacts and let the chips fall where they may.

People made a big deal last year about Restrepo showing the intensity of moments in combat. That film, while great, doesn't even touch what young Danfung Dennis achieves here. The up close intimacy of the war moments took the most brazen courage to compile, but the shots are so beautifully constructed you truly can touch the daring and fear of those moments. I have only felt this before in narrative films like The Hurt Locker.

But the footage of the struggle this troubled soldier endures in his recovery from crippling injuries is equally compelling, frightening and heartbreaking. The sewing together of the two worlds presented has a power all its own.

I really believe this amazing young filmmaker, who really gives his all to the art in this film, deserves recognition. It won the documentary jury prize at Sundance. It now has been shortlisted by the Oscars for nomination consideration. These are so deserved.
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