There's nothing cooler to a horror buff like me than to, on opening day of Rocktober (this year, 2011), discover, upon my very first viewing for Halloween month, a nice surprise certain to become a favorite I will watch every year. What's neat about this film is that it predates the horror conventions that now pop up all over the world, not just in America—they are now all the rage. In San Francisco, a horror novelist, Professor Seabrook (Dan Caldwell) is able to bring to life the very first Horror Con, with an established horror icon as the featured guest, Malaki (Jerry Walters who is a blast), known for his many vampire films. Malaki takes his status in the genre (and, refreshingly, the genre itself) very seriously, and when horror show hosts, like George Wilson (Morgan Upton), poke gleeful fun at schlock or other horror films featured prominently on his line-ups, his ire is inflamed. What Seabrook and his friends behind the invention of the San Francisco Horror Con couldn't possibly expect is that their star is an actual centuries-old vampire! Yeah, imagine if a horror con presented a star attraction who was actually the very monster he supposedly portrayed fictitiously! Oh, it doesn't end there, this movie even throws in Burke and Hare (!), still alive and kicking thanks to Malaki, hunting his prey so that they can keep their master happy.
I really miss the way films could shoot on authentic city streets, using actors who look like the kind of folks who would populate San Francisco. There's this one fellow who runs a comic store and bases his whole life's philosophy around the art and stories of the books that line the shelves. He's very soft-spoken, stolid, and serious, much like Malaki is about his beloved horror genre. The script is chock full of loving nods to, and acknowledgment of, the horror genre and the many stars and movies that we fans know and love. Being that the film is set in contemporary San Francisco in 1978, the likes of Bela Lugosi, Christopher Lee, and Lon Chaney come up in conversations often, which brought a smile to my face time and again. For those who love their gore, "Nightmare in Blood" has lots of blood-letting (that thick bright red Herschel Gordon Lewis film blood I adore) as Burke and Hare hunt down characters associated with the Horror Con. The Van Helsing of this film is a Jew Nazi Hunter (!) who thought Malaki was a member of Hitler's Reich, only to discover that his quarry was a vampire instead! This guy goes by the name "Avenger" (or that is what Malaki refers to him as) and is a nuisance, an absolute thorn in the side, to Malaki. As long as Avenger lives, Malaki knows his existence is threatened. When a colleague of Seabrook's, Scotty (John Cochran) loses a girlfriend to the dastardly trio, hears a conversation between Burke and Hare that's more than a bit suspicious, and starts putting two-and-two together, the Avenger (Mark Anger) may finally have a legitimate ally in his fight to stop Malaki. The Mina of this film is Barrie Youngfellow, as Seabrook's girlfriend, Cindy. You just know her life will be in jeopardy before the film is through. I definitely believe horror fans and devotees to our genre owe it to themselves to check out "Nightmare in Blood", it is, in my mind, the very definition of a sleeper. Walters really "sinks his teeth" into the role, with the posture and thick accent mimicking Lugosi effortlessly—I considered him a pleasure to watch in the role of a bloodsucker easily offended by those who slander his movies and the genre, his reactions of repulsion towards Wilson especially funny.
I really miss the way films could shoot on authentic city streets, using actors who look like the kind of folks who would populate San Francisco. There's this one fellow who runs a comic store and bases his whole life's philosophy around the art and stories of the books that line the shelves. He's very soft-spoken, stolid, and serious, much like Malaki is about his beloved horror genre. The script is chock full of loving nods to, and acknowledgment of, the horror genre and the many stars and movies that we fans know and love. Being that the film is set in contemporary San Francisco in 1978, the likes of Bela Lugosi, Christopher Lee, and Lon Chaney come up in conversations often, which brought a smile to my face time and again. For those who love their gore, "Nightmare in Blood" has lots of blood-letting (that thick bright red Herschel Gordon Lewis film blood I adore) as Burke and Hare hunt down characters associated with the Horror Con. The Van Helsing of this film is a Jew Nazi Hunter (!) who thought Malaki was a member of Hitler's Reich, only to discover that his quarry was a vampire instead! This guy goes by the name "Avenger" (or that is what Malaki refers to him as) and is a nuisance, an absolute thorn in the side, to Malaki. As long as Avenger lives, Malaki knows his existence is threatened. When a colleague of Seabrook's, Scotty (John Cochran) loses a girlfriend to the dastardly trio, hears a conversation between Burke and Hare that's more than a bit suspicious, and starts putting two-and-two together, the Avenger (Mark Anger) may finally have a legitimate ally in his fight to stop Malaki. The Mina of this film is Barrie Youngfellow, as Seabrook's girlfriend, Cindy. You just know her life will be in jeopardy before the film is through. I definitely believe horror fans and devotees to our genre owe it to themselves to check out "Nightmare in Blood", it is, in my mind, the very definition of a sleeper. Walters really "sinks his teeth" into the role, with the posture and thick accent mimicking Lugosi effortlessly—I considered him a pleasure to watch in the role of a bloodsucker easily offended by those who slander his movies and the genre, his reactions of repulsion towards Wilson especially funny.