A mother lode of clichés mined by Jim Abrahams and the Zucker brothers for their 1980 classic, "Airplane," "The Crowded Sky" is entertaining in its own right. A shameless pastiche of flashbacks erupts when two planes find themselves on a collision course in the skies over the American heartland. Dying wives, vengeful mistresses, love-starved spinsters, marriage-crazy stewardesses, and tough agents spar with lovelorn husbands, ham actors, marriage-shy co-pilots, unforgiving fathers, and cads on the make. Director Joseph Pevney juggles the familiar sub-plots competently, and viewers are unlikely to be bored, although they may have to stifle a giggle or two.
While not as stellar as "The High and the Mighty" or "Airport," the cast does include some solid actors from the period. Characters rarely develop in films like this, and most are little more than stereotyped sketches. Not surprisingly, the performances run the gamut from professional to embarrassing. The pros fare best led by Dana Andrews, the by-the-book TransState captain; Patsy Kelly, a blowzy chain-smoking agent; and Rhonda Fleming, a sexy scheming wife. Although the film's credits include Efrem Zimbalist, Troy Donahue, Keenan Wynn, and Anne Francis, many of the rest never became names.
The special effects use obvious model airplanes on wires and are a dated delight. Also dated and delightful is the depiction of flying. The passengers all dress in suit and tie; the stewardesses take tickets aboard the plane; the captain personally points out the oxygen canister to an interested passenger; a smiling stewardess cracks jokes about false teeth while instructing passengers on emergency procedures; air traffic controllers work 40 hours without a break; passengers board without security checks. What a wonderful experience flying used to be; beyond slick obvious entertainment, "The Crowded Sky" has the added dimension of evoking nostalgia for a vanished way of travel.
While not as stellar as "The High and the Mighty" or "Airport," the cast does include some solid actors from the period. Characters rarely develop in films like this, and most are little more than stereotyped sketches. Not surprisingly, the performances run the gamut from professional to embarrassing. The pros fare best led by Dana Andrews, the by-the-book TransState captain; Patsy Kelly, a blowzy chain-smoking agent; and Rhonda Fleming, a sexy scheming wife. Although the film's credits include Efrem Zimbalist, Troy Donahue, Keenan Wynn, and Anne Francis, many of the rest never became names.
The special effects use obvious model airplanes on wires and are a dated delight. Also dated and delightful is the depiction of flying. The passengers all dress in suit and tie; the stewardesses take tickets aboard the plane; the captain personally points out the oxygen canister to an interested passenger; a smiling stewardess cracks jokes about false teeth while instructing passengers on emergency procedures; air traffic controllers work 40 hours without a break; passengers board without security checks. What a wonderful experience flying used to be; beyond slick obvious entertainment, "The Crowded Sky" has the added dimension of evoking nostalgia for a vanished way of travel.