When William Powell was lent out to Warner Brothers for Life With Father it marked for him a transition to roles more suited for his age. In her memoirs Esther Williams noted that Powell felt very ridiculous trying to play a convincing love scene with Esther. MGM lent him out to Universal for Mr. Peabody And The Mermaid and while the film is not a classic like Life With Father, it is still a charming fantasy that holds up well after over 60 years.
The film is told in flashback by Powell narrating his involvement with a mermaid to a sympathetic psychiatrist Art Smith. Powell is on vacation in the Caribbean with wife Irene Hervey and he's finding it hard to admit he's reaching that crucial age of 50. In real life Powell was 56 when he made Mr. Peabody And The Mermaid.
Hugh French who's a vacationing lizard and would be gigolo puts the moves on Irene. Powell gets to do some deep sea fishing and catches a mermaid by hooking her tail. The mermaid is Ann Blyth who is absolutely enchanting as she steals the film without a word of dialog. Her facial expressions are priceless signifying wonder and terror and both at the same time.
Blyth gets a temporary home in the resort aquarium and Hervey suspects Powell of trying to romance vacationing Broadway singer Andrea King. King in fact gets to meet Blyth and she's not quite the same after that.
This fantasy had elements of it in the Ron Howard film Splash, but Mr. Peabody And The Mermaid will still delight audiences even today. I only wish Universal Studios had invested in some color cinematography.
The film is told in flashback by Powell narrating his involvement with a mermaid to a sympathetic psychiatrist Art Smith. Powell is on vacation in the Caribbean with wife Irene Hervey and he's finding it hard to admit he's reaching that crucial age of 50. In real life Powell was 56 when he made Mr. Peabody And The Mermaid.
Hugh French who's a vacationing lizard and would be gigolo puts the moves on Irene. Powell gets to do some deep sea fishing and catches a mermaid by hooking her tail. The mermaid is Ann Blyth who is absolutely enchanting as she steals the film without a word of dialog. Her facial expressions are priceless signifying wonder and terror and both at the same time.
Blyth gets a temporary home in the resort aquarium and Hervey suspects Powell of trying to romance vacationing Broadway singer Andrea King. King in fact gets to meet Blyth and she's not quite the same after that.
This fantasy had elements of it in the Ron Howard film Splash, but Mr. Peabody And The Mermaid will still delight audiences even today. I only wish Universal Studios had invested in some color cinematography.