"Emotional Arithmetic" based on a novel by Matt Cohen (a Jew?), begins with an astounding remark "If you ask me if I believe in God, I am forced to answer does God believe in us?" The film is not about atheism. It reflects on the terrible scars left by war on orphans, on individuals who stand up and protest when wrong is done, on relationships forged in times of stress, pain and loss.
The charm of Paolo Barzman's film rests considerably in the hands of the capable actors—-Susan Sarandon, Max von Sydow, Chistopher Plummer and Gabriel Bryne—-all who have a maturity to carry off their parts in the film with grace. Ms Sarandon has matured into a formidable actress in recent films and this one showcases her talent.
Screened at the 12th International Film Festival of Kerala, India, the film forced this viewer to compare the contents of "Emotional Arithmetic" with those of a Swiss documentary "A Song for Argyris" also shown at the festival. Both films underlined the difficulties in forgetting tragic events in our lives and moving on. Both films indirectly discuss the bonding of survivors of tragic events.
As I watched the film I could not help but note the growing interest filmmakers in family bonds—in "Emotional Arithmetic" it is merely a subplot balancing a "virtual" family that suffered during the Nazi rule with that of a real family comprising three generations living in idyllic conditions in Canada.
This film would offer considerable material to reflect on for the viewer, beyond the actual events shown on the screen.
The charm of Paolo Barzman's film rests considerably in the hands of the capable actors—-Susan Sarandon, Max von Sydow, Chistopher Plummer and Gabriel Bryne—-all who have a maturity to carry off their parts in the film with grace. Ms Sarandon has matured into a formidable actress in recent films and this one showcases her talent.
Screened at the 12th International Film Festival of Kerala, India, the film forced this viewer to compare the contents of "Emotional Arithmetic" with those of a Swiss documentary "A Song for Argyris" also shown at the festival. Both films underlined the difficulties in forgetting tragic events in our lives and moving on. Both films indirectly discuss the bonding of survivors of tragic events.
As I watched the film I could not help but note the growing interest filmmakers in family bonds—in "Emotional Arithmetic" it is merely a subplot balancing a "virtual" family that suffered during the Nazi rule with that of a real family comprising three generations living in idyllic conditions in Canada.
This film would offer considerable material to reflect on for the viewer, beyond the actual events shown on the screen.