This is a very nice looking film where a couple of supporting characters are far more interesting than the stars of the show and the filmmakers apparently didn't realize who was the real villain of their story. It's got a quintet of winning performances, a worthwhile moral and creates engaging relationships that draw you into the movie. A little too sparse on details, too dependent on mood and with an ending that falls fairly flat, Rx is nonetheless swift and direct enough to grab your interest and hold onto it.
Andrew (Eric Balfour) is a poor college student in Southern California with a hipster chin beard and a job as a valet. With Melissa (Lauren German), his high school girlfriend from an upper middle class family, and their drug dealing, third wheel buddy Johnny (Colin Hanks), Eric sets out for Mexico. They tell Melissa it's for a party but Andrew and Johnny are also going to do a drug deal. It's a run-of-the-mill trip for Johnny until Andrew pulls out a wad of bills and asks for a lot more pills than Johnny expected. Andrew needs the drugs to sell in order to save his mom and dad from financial ruin. But things go wrong as they try and smuggle the pills back across the boarder and Andrew makes one horribly bad decision after another until there's no way all three friends are getting out of Mexico alive.
It's usually not a good sign when the best things about a film are a couple of supporting characters and that's somewhat true of Rx. Alan Tudyk and Ori Pfeffer play Pepe and Raul, a couple of gay, expatriate, Eurotrash drug dealers pushing prescription pills and holding costume parties in a Mexican village so small it's not even listed on the maps. I don't know if it's the script or the performers, but there's so much more energy and depth and nuance to Pepe and Raul than there is to Andrew, Melissa and Johnny. This drug dealing duo feel like real people unique to this story, while the main characters feel like they could have been cut and pasted out of a dozen other films. Eric Balfour, Lauren German and Colin Hanks do an admirable job and building up the friendship and love between their characters, but this film tells you next to nothing about them characters nor gives you a reason to want to know more. On the other hand, I bet anyone who watches this comes away wishing they could have seen more of Pepe and Raul.
I also don't think that co-writer/director Ariel Vromen appreciated that Andrew eventually reveals himself as the movie's true villain. Not only are almost all of the terrible things that happen Rx the fault of Andrew, but there's a moment when he engages in deliberate betrayal for his own ends. At that point, I realized that Andrew was a bad guy who deserved to have bad things happen to him. This film never quite figured that out, which results in an ending where Andrew is supposed to play the hero not making any moral, ethical or dramatic sense. When the audience doesn't care if the character under threat lives or dies, it's impossible to generate any tension or suspense.
But while the ending of Rx doesn't work out, the beginning is a minor joy to behold. This isn't a horror movie but anyone looking to make one would do well to study the first half of this film. It does an excellent job of establishing a bright surface with a just barely perceptible tone of impending doom underneath. You get the sense something bad is going to happen, yet you're not sure and that lends an edge of excitement to everything on screen.
Additionally, Rx is very well shot, directed and even edited. It's not necessarily all that flashy or eye catching, but the way the images are framed and the way the story is goosed along at just the right moment with humor or drama or violence is very skillful.
If its main characters had been at all intriguing and there'd been a lot more meat on the bones of this plot, Rx would have been an exceptional low budget flick. As it is, it's a passable diversion but not much more than that.
Andrew (Eric Balfour) is a poor college student in Southern California with a hipster chin beard and a job as a valet. With Melissa (Lauren German), his high school girlfriend from an upper middle class family, and their drug dealing, third wheel buddy Johnny (Colin Hanks), Eric sets out for Mexico. They tell Melissa it's for a party but Andrew and Johnny are also going to do a drug deal. It's a run-of-the-mill trip for Johnny until Andrew pulls out a wad of bills and asks for a lot more pills than Johnny expected. Andrew needs the drugs to sell in order to save his mom and dad from financial ruin. But things go wrong as they try and smuggle the pills back across the boarder and Andrew makes one horribly bad decision after another until there's no way all three friends are getting out of Mexico alive.
It's usually not a good sign when the best things about a film are a couple of supporting characters and that's somewhat true of Rx. Alan Tudyk and Ori Pfeffer play Pepe and Raul, a couple of gay, expatriate, Eurotrash drug dealers pushing prescription pills and holding costume parties in a Mexican village so small it's not even listed on the maps. I don't know if it's the script or the performers, but there's so much more energy and depth and nuance to Pepe and Raul than there is to Andrew, Melissa and Johnny. This drug dealing duo feel like real people unique to this story, while the main characters feel like they could have been cut and pasted out of a dozen other films. Eric Balfour, Lauren German and Colin Hanks do an admirable job and building up the friendship and love between their characters, but this film tells you next to nothing about them characters nor gives you a reason to want to know more. On the other hand, I bet anyone who watches this comes away wishing they could have seen more of Pepe and Raul.
I also don't think that co-writer/director Ariel Vromen appreciated that Andrew eventually reveals himself as the movie's true villain. Not only are almost all of the terrible things that happen Rx the fault of Andrew, but there's a moment when he engages in deliberate betrayal for his own ends. At that point, I realized that Andrew was a bad guy who deserved to have bad things happen to him. This film never quite figured that out, which results in an ending where Andrew is supposed to play the hero not making any moral, ethical or dramatic sense. When the audience doesn't care if the character under threat lives or dies, it's impossible to generate any tension or suspense.
But while the ending of Rx doesn't work out, the beginning is a minor joy to behold. This isn't a horror movie but anyone looking to make one would do well to study the first half of this film. It does an excellent job of establishing a bright surface with a just barely perceptible tone of impending doom underneath. You get the sense something bad is going to happen, yet you're not sure and that lends an edge of excitement to everything on screen.
Additionally, Rx is very well shot, directed and even edited. It's not necessarily all that flashy or eye catching, but the way the images are framed and the way the story is goosed along at just the right moment with humor or drama or violence is very skillful.
If its main characters had been at all intriguing and there'd been a lot more meat on the bones of this plot, Rx would have been an exceptional low budget flick. As it is, it's a passable diversion but not much more than that.