There aren't any big surprises in the story of EVILUTION. A seemingly nice young man comes back from the war with a secret compound that has amazing healing powers. He moves into an apartment building in a dicey section of Los Angeles and his neighbors poke around in his stuff. He meets a very beautiful young lady. When a local gang member is mortally wounded the young man injects him with the compound, hoping that this will be the opportunity to use the healing powers of this amazing discovery.
The compound was created by creatures from outer space. When it is injected into a host- human or animal- that host dies and is taken over by an alien life form.
OK. Been there, done that. But watching this is infectious in that the actors have such a good time shouting dialog about alien microbes, firing guns, and running up and down stairs in the apartment building that eventually you realize that this must have really been fun to make.
There are some nice elements. The "hero" isn't the two-fisted killing machine you expect in a story like this. One of the best "performances" is by the building itself, a huge structure that was probably very elegant in its day but now the wiring doesn't always work right.
Early in the process the actors- many of whom seem to have reserves of talent that the script doesn't touch- seem to realize that this is not going to be the project that gets them an Academy Award. So they throw themselves into what they're doing and play with it like jazz musicians improvising on a simple children's song.
One standout element is the musical score. I'm no expert, but it sounds as if it's performed by honest to goodness musicians and not on a computer keyboard. It's a nice touch.
The compound was created by creatures from outer space. When it is injected into a host- human or animal- that host dies and is taken over by an alien life form.
OK. Been there, done that. But watching this is infectious in that the actors have such a good time shouting dialog about alien microbes, firing guns, and running up and down stairs in the apartment building that eventually you realize that this must have really been fun to make.
There are some nice elements. The "hero" isn't the two-fisted killing machine you expect in a story like this. One of the best "performances" is by the building itself, a huge structure that was probably very elegant in its day but now the wiring doesn't always work right.
Early in the process the actors- many of whom seem to have reserves of talent that the script doesn't touch- seem to realize that this is not going to be the project that gets them an Academy Award. So they throw themselves into what they're doing and play with it like jazz musicians improvising on a simple children's song.
One standout element is the musical score. I'm no expert, but it sounds as if it's performed by honest to goodness musicians and not on a computer keyboard. It's a nice touch.