Reinventing the Hitchcockian thriller
12 March 2011
To fully get this movie, it helps to know how it was conceived. Director/writer M.X.O was sitting on a plane when a gorgeous blonde took the seat next to him. She had a black eye. Eventually she told him her story which loosely served as the plot of Stratosphere Girl. At the same time he had been working on a different idea about an artist who tells & experiences a story through drawing.

The point is that this film is two distinctly different ideas melded into one excellent & artistic film. On the surface it's a straightforward story (the tale of the blonde with a black eye), but within that story--as well as surrounding that story--is the story of an artist simultaneously creating & experiencing a fantasy. The mixture of these two approaches was brilliantly executed with stylish, slightly disorienting visuals which convey the feeling of detachment and exclusion that the heroine feels. The mood is cold & sterile, vividly recreating a feeling you may recognize if you've ever been alone in a foreign country. So much of this film rests on feelings like that, moods & experiences that may resonate within you. It creates a very memorable atmosphere like in a Wim Wenders film or maybe even the movie "The Usual Suspects" (note: I'm talking about mood, not plot!).

The story takes a very slick twist toward the end which gives us a lot to munch on. It's not an overt M.Night Shyamalan gimmick but rather a clever & subtle detour that'll keep you thinking for hours afterward. I was very pleasantly surprised by this obscure gem, and I'll be keeping an eye out for this director's works in the future.
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