Dreyer is regarded as one of the masters of early cinema and this is one of his best known films. Based solely on the evidence presented in this film, it's obvious that the man had a strong visual style, but it's not clear he was very good with actors or storytelling. The cinematography here is quite striking, recalling Rembrandt paintings. However, the plot is simple and underwhelming and the pacing is extremely lethargic. The characters are not particularly interesting, perhaps because the dialog is trite (at least the English subtitles). The acting ranges from wooden to melodramatic. This film looks like a primer for Ingmar Bergman.