Henry Harrison (Kevin Kline) is "The Extra Man", but to him, he's an "essential man". He seems to live in a time and class that he doesn't physically occupy. Louis Ives (Paul Dano) would really just like to be a character in an F. Scott Fitzgerald novel. These characteristics were so intriguing at the beginning of the film because there are a lot of thoughtful and interesting directions to take it.
They make a great pairing, except for the fact that Henry isn't just homophobic, but proudly and defiantly, extremely homophobic, and Louis is proudly and completely confused. And neither of them understand the nature of their friendship. When the film chooses to explore Louis' inner transvestite and getting deeper into Henry's obsession as the essential man, everything just gets weird.
"The Extra Man" is an extremely intelligent film. There was clearly a lot of effort put into the writing, the characters, the acting and the making of this film, but the weird directions it took were too much for me. I want to recommend it to those who like smart, philosophical, but weird, independent films. Just look out for some "sexually deviant behaviour".
They make a great pairing, except for the fact that Henry isn't just homophobic, but proudly and defiantly, extremely homophobic, and Louis is proudly and completely confused. And neither of them understand the nature of their friendship. When the film chooses to explore Louis' inner transvestite and getting deeper into Henry's obsession as the essential man, everything just gets weird.
"The Extra Man" is an extremely intelligent film. There was clearly a lot of effort put into the writing, the characters, the acting and the making of this film, but the weird directions it took were too much for me. I want to recommend it to those who like smart, philosophical, but weird, independent films. Just look out for some "sexually deviant behaviour".