TCM is showing a very crisp print of LADY OF THE NIGHT, tinted throughout in shades of blue, yellow, orange, sepia, etc. and giving it a more interesting look than most of the B&W films of that era. It's accompanied by a very perky score by Jon Mirsalis that captures the feel of the story with style.
NORMA SHEARER has the chance to play two roles, a poor girl from the wrong side of the tracks and a rich society girl--with both of them in love with leading man MALCOM McGREGOR. The stories are blended because the poor girl is the daughter of a criminal sentenced to life in prison and the rich girl is the daughter of the judge who sentenced him.
Camera work is marvelous in scenes where Shearer acts with herself, technically excellent in the manner the actress is photographed for the dual scenes. Particularly clever is the use of tinted photography to make the story more vivid.
For Shearer fans, this is a must see since this is really a minor gem in her career. She's equally convincing as Molly, the gum-chewing gal who knows she's not respectable enough to win the love of the inventor she has helped, and the quiet and thoughtful rich girl who realizes that poor Molly really has first claim on McGregor's heart.
The ending manages to be a mixture of sadness and brightness, a satisfying conclusion to an interesting and poignant tale about the whims of true love when it comes to wealth and poverty.
NORMA SHEARER has the chance to play two roles, a poor girl from the wrong side of the tracks and a rich society girl--with both of them in love with leading man MALCOM McGREGOR. The stories are blended because the poor girl is the daughter of a criminal sentenced to life in prison and the rich girl is the daughter of the judge who sentenced him.
Camera work is marvelous in scenes where Shearer acts with herself, technically excellent in the manner the actress is photographed for the dual scenes. Particularly clever is the use of tinted photography to make the story more vivid.
For Shearer fans, this is a must see since this is really a minor gem in her career. She's equally convincing as Molly, the gum-chewing gal who knows she's not respectable enough to win the love of the inventor she has helped, and the quiet and thoughtful rich girl who realizes that poor Molly really has first claim on McGregor's heart.
The ending manages to be a mixture of sadness and brightness, a satisfying conclusion to an interesting and poignant tale about the whims of true love when it comes to wealth and poverty.