"Candyman 3: Day of the Dead" is a prime example of a horror series going to the well one too many times. At the time of its release in 1992, the original "Candyman" was one of the most ferociously nasty horror films in a number of years, and while the 1995 sequel, "Candyman: Farewell to the Flesh," wasn't quite up to par with the first film, was at least watchable. The disappointing "Candyman 3" isn't utterly horrible, but it is, at best, unnecessary.
Tony Todd (and his cool-as-hell, gravelly as grave dirt voice) returns for a third go-round as the hook-handed, ghostly maniac, and this time he's brought back to life by his last surviving relative, his great-great granddaughter "Caroline," an artist who lives in the Barrio section of Los Angeles. Caroline is inexplicably portrayed by former "Baywatch" babe Donna D'Errico (of all people!), who can't act worth a damn but boy, does she look good running around in a tight tank top and black panties, so I honestly had no complaints about her performance. After she displays Candyman's paintings at a local art gallery, Caroline makes the mistake of saying her ancestor's name five times into a mirror and soon Candyman is running around the streets of L.A., popping up amidst swarms of bees, carving up her friends, asking her to "Be...my...victim," et cetera, et cetera. A pair of racist cops are convinced that Caroline is behind the string of murders and are intent on putting her away for the crimes, so in order to clear her name she has to stop the Candyman once and for all (with some help from an actor friend and his adorable young daughter), set against the backdrop of the annual Dia de los Muertos ("Day of the Dead") celebration in East L.A.
On paper it sounds OK, but the film unravels quickly. The movie is so cheap looking compared to the other two entries in the series that it could pass for a SyFy Channel or Lifetime Original Movie. Apparently the film was shot in a mere 20 days, mostly during daylight hours as the budget wouldn't allow for nighttime shoots, so even when scenes are supposed to be dark and scary, they look far too bright and unrealistic. Tony Todd does the best he can with what he's given but even he looks like he's simply going through the motions. As I previously mentioned, D'Errico can't act, so her Minnie Mouse-ish screams of terror will provide tons of unintentional comedy. There's a few decent gore scenes and some T&A sprinkled throughout but overall "Candyman 3" never comes close to giving you the feeling of darkness and dread that the original had in abundance.
I suppose if you're a fan of the series, "Candyman 3" is worth a look as long as you can find it cheap (like I did) but unless you're a Candyman completist you can safely give this one a miss.
Tony Todd (and his cool-as-hell, gravelly as grave dirt voice) returns for a third go-round as the hook-handed, ghostly maniac, and this time he's brought back to life by his last surviving relative, his great-great granddaughter "Caroline," an artist who lives in the Barrio section of Los Angeles. Caroline is inexplicably portrayed by former "Baywatch" babe Donna D'Errico (of all people!), who can't act worth a damn but boy, does she look good running around in a tight tank top and black panties, so I honestly had no complaints about her performance. After she displays Candyman's paintings at a local art gallery, Caroline makes the mistake of saying her ancestor's name five times into a mirror and soon Candyman is running around the streets of L.A., popping up amidst swarms of bees, carving up her friends, asking her to "Be...my...victim," et cetera, et cetera. A pair of racist cops are convinced that Caroline is behind the string of murders and are intent on putting her away for the crimes, so in order to clear her name she has to stop the Candyman once and for all (with some help from an actor friend and his adorable young daughter), set against the backdrop of the annual Dia de los Muertos ("Day of the Dead") celebration in East L.A.
On paper it sounds OK, but the film unravels quickly. The movie is so cheap looking compared to the other two entries in the series that it could pass for a SyFy Channel or Lifetime Original Movie. Apparently the film was shot in a mere 20 days, mostly during daylight hours as the budget wouldn't allow for nighttime shoots, so even when scenes are supposed to be dark and scary, they look far too bright and unrealistic. Tony Todd does the best he can with what he's given but even he looks like he's simply going through the motions. As I previously mentioned, D'Errico can't act, so her Minnie Mouse-ish screams of terror will provide tons of unintentional comedy. There's a few decent gore scenes and some T&A sprinkled throughout but overall "Candyman 3" never comes close to giving you the feeling of darkness and dread that the original had in abundance.
I suppose if you're a fan of the series, "Candyman 3" is worth a look as long as you can find it cheap (like I did) but unless you're a Candyman completist you can safely give this one a miss.