Water polo in the 1956 Melbourne Olympics was more than just sports to Hungarians whose country was just going through an anti-Soviet uprising that was subsequently violently crushed by the Soviets when the Games were about to begin: in the pool, the small country was able to show to the world that they hadn't lost their national pride and power despite the oppression by their huge occupier. Written by Joe Eszterhas (of Basic Instinct fame) among others, Krisztina Goda's film is set shortly before the Olympics when the Hungarian water polo team is preparing for the tournament amidst political unrest in Budapest. The team's star player Karcsi Szabó (Iván Fenyö) is looking forward to his big chance to shine in the eyes of the world, but has to rethink his attitudes upon meeting a beautiful anti-Communist student activist Viki Falk (Kata Dobó). Being associated with her cause in public might cost him his position in the team, but he soon understands that closing his eyes from the country's problems is no longer an option.
The style of the film is as Hollywoodesque as can be: the constantly playing music by Nick Glennie-Smith ranges from bombastic to sentimental, always carefully following the conventions of epic movie scores. The plot is also somewhat predictable and includes all the scenes one expects to find in a classical war cinema: tragic deaths, recklessly brave resistance battles against almost indestructible enemy tanks, a woman crying over a dead body on a street and an oh-so-romantic "artistic" sex scene between the lead couple whose fragile romance blossoms despite the turmoil everywhere. However, the big budget also shows in good ways; the sets, props and costumes look authentic and the explosion-heavy action scenes are well created and directed. I also liked the brownish and bluish tones of the cinematography and the visual style in general.
Despite the athletic-sounding premise, the movie is not really a sports film as water polo is only played at the beginning and the end. The main purpose of the film has obviously been to commemorate the brave nation's patriotic efforts during the revolution and to remind audiences that war spectacles are not Hollywood's prerogative only. While the team's story is worth telling, I think the overall style is way too obvious in its emotional manipulation, and the general heavy-handedness hurts the film's chances to work as a truly affecting piece of cinema. On the surface it's an enjoyable war film though and can be enjoyed by fans of the genre.
The style of the film is as Hollywoodesque as can be: the constantly playing music by Nick Glennie-Smith ranges from bombastic to sentimental, always carefully following the conventions of epic movie scores. The plot is also somewhat predictable and includes all the scenes one expects to find in a classical war cinema: tragic deaths, recklessly brave resistance battles against almost indestructible enemy tanks, a woman crying over a dead body on a street and an oh-so-romantic "artistic" sex scene between the lead couple whose fragile romance blossoms despite the turmoil everywhere. However, the big budget also shows in good ways; the sets, props and costumes look authentic and the explosion-heavy action scenes are well created and directed. I also liked the brownish and bluish tones of the cinematography and the visual style in general.
Despite the athletic-sounding premise, the movie is not really a sports film as water polo is only played at the beginning and the end. The main purpose of the film has obviously been to commemorate the brave nation's patriotic efforts during the revolution and to remind audiences that war spectacles are not Hollywood's prerogative only. While the team's story is worth telling, I think the overall style is way too obvious in its emotional manipulation, and the general heavy-handedness hurts the film's chances to work as a truly affecting piece of cinema. On the surface it's an enjoyable war film though and can be enjoyed by fans of the genre.