Nasira and Rochel are the daughters of a Koranic scholar and Orthodox Jewish fathers beginning their teaching careers at a NY elementary school, who are drawn together by their common experience of belonging to conservative religious communities. The film's title focuses on the issue of arranged marriage, but the two women are only subjected to fairly mild forms of arm-twisting associated with this patriarchal custom. The main theme is their friendship across a cultural divide, which provides support as they resist the school principal's disapproval of their beliefs and parental pressure to marry.
Nasira's father is portrayed as a traditionalist who simply cannot envision his daughter's future without marriage and children. He offers only minimal resistance when Nasira rejects his chosen prospect - and the father-daughter relationship appears to be strengthened by the episode. Meanwhile Rochel resists a comical onslaught from her mother and a gaggle of marriage arrangers when they present her with a parade of socially inept suitors. Her mother bullies her with warnings about family disgrace and lifelong spinsterhood, and blames her for her father's rising blood pressure.
Francis Benhamou and Zoe Lister Jones deliver fine performances as Nasira and Rochel. They are backed up by their support cast as the screenplay and direction navigate a narrow passage between melodrama and realism. By the time the story reaches its conclusion, only the most stubborn cynic will remain immune to these unusual heroines.
Nasira's father is portrayed as a traditionalist who simply cannot envision his daughter's future without marriage and children. He offers only minimal resistance when Nasira rejects his chosen prospect - and the father-daughter relationship appears to be strengthened by the episode. Meanwhile Rochel resists a comical onslaught from her mother and a gaggle of marriage arrangers when they present her with a parade of socially inept suitors. Her mother bullies her with warnings about family disgrace and lifelong spinsterhood, and blames her for her father's rising blood pressure.
Francis Benhamou and Zoe Lister Jones deliver fine performances as Nasira and Rochel. They are backed up by their support cast as the screenplay and direction navigate a narrow passage between melodrama and realism. By the time the story reaches its conclusion, only the most stubborn cynic will remain immune to these unusual heroines.