Fast-talking promoter takes motley group of people to haunted island in search of hidden treasure.
Shot, edited, and released, all in 25 days, and frankly it shows. Must be some kind of record, even for a B-movie quickie. In my book, it's the screenplay that suffers most. Looks like they took 90 minutes of material and crammed it into 60 minutes of film. If you can make sense of the castle goings-on, there should be a place for you in the space program. Also looks like the writers took every dark-house gimmick and shoe-horned it in somewhere, anywhere. Note how many puzzles (crossbow killing of the phantom; George's killing) are given abruptly awkward and hurried explanations. Apparently, there was no time for anything else. All of which would be okay if the scary parts were really scary or the funny parts, funny. But unfortunately they're not.
What the movie does have are expensive leftover sets, Woody Bredell's first-rate photography, and two really likable leads (Moran and Foran). Foran makes an engaging fast- talking promoter, while Susan Hayward look-alike Moran is both cute and lively. There were a number of these haunted mansion films during this period. My favorite is Bob Hope's Cat and Canary (1939), which really shows how the premise should be done. Too bad that Universal didn't give the production more time to develop, especially to better organize the screenplay.
Shot, edited, and released, all in 25 days, and frankly it shows. Must be some kind of record, even for a B-movie quickie. In my book, it's the screenplay that suffers most. Looks like they took 90 minutes of material and crammed it into 60 minutes of film. If you can make sense of the castle goings-on, there should be a place for you in the space program. Also looks like the writers took every dark-house gimmick and shoe-horned it in somewhere, anywhere. Note how many puzzles (crossbow killing of the phantom; George's killing) are given abruptly awkward and hurried explanations. Apparently, there was no time for anything else. All of which would be okay if the scary parts were really scary or the funny parts, funny. But unfortunately they're not.
What the movie does have are expensive leftover sets, Woody Bredell's first-rate photography, and two really likable leads (Moran and Foran). Foran makes an engaging fast- talking promoter, while Susan Hayward look-alike Moran is both cute and lively. There were a number of these haunted mansion films during this period. My favorite is Bob Hope's Cat and Canary (1939), which really shows how the premise should be done. Too bad that Universal didn't give the production more time to develop, especially to better organize the screenplay.