Sean Connery did make about half a dozen excellent non-James Bond Films. This is not one of them. They include "The Man Who Would Be King," "Robin and Mariam," "The Name of the Rose," "The Untouchables," "Indiana Jones and the Last Crusade," and "The League of Extraordinary Gentlemen." He is 80 years old now, and it would be nice if the Motion Picture Academy honored him with a lifetime achievement award (as the American Film Institute did in 2006).
Here's the positive side. There are some pretty shots of New York City circa 1966, giving the film a bit of a Neil Simon-Woody Allen look. The first half hour is fine. We get a good introduction of the characters. Connery messing up a Lady's Club invitation to read his poetry is not as funny as it should have been, but is the funniest scene in the film.
Unfortunately the film goes nowhere after that. There's no character development and almost every comedy bit and scene falls flat. Many scenes are punctuated and underscored by loud, energetic music. This seems to be done on purpose to distract the audience from thinking, "What? Why is that supposed to be funny?"
The name of Connery's character is Samson Shillitoe. I assume that the name has something to do with the famous writer Stirling Silliphant. I'm not sure if the character had anything to do with the man.
I do think Sean Connery and Joanne Woodward deserve some credit for developing their characters as much as they do. They are working hard, one might say frantically, to make something out of the script. Everybody else, including Jean Seberg, Patrick O'Neil, Coleen Dewhurst and Zohra Lampert are wasted in non-roles that should have been played by less talented actors.
Altogether, not an enjoyable film, but possibly worth a look as an example of a bad New York City mid-60's comedy. It'll make you appreciate "Barefoot in the Park" that much more.
Here's the positive side. There are some pretty shots of New York City circa 1966, giving the film a bit of a Neil Simon-Woody Allen look. The first half hour is fine. We get a good introduction of the characters. Connery messing up a Lady's Club invitation to read his poetry is not as funny as it should have been, but is the funniest scene in the film.
Unfortunately the film goes nowhere after that. There's no character development and almost every comedy bit and scene falls flat. Many scenes are punctuated and underscored by loud, energetic music. This seems to be done on purpose to distract the audience from thinking, "What? Why is that supposed to be funny?"
The name of Connery's character is Samson Shillitoe. I assume that the name has something to do with the famous writer Stirling Silliphant. I'm not sure if the character had anything to do with the man.
I do think Sean Connery and Joanne Woodward deserve some credit for developing their characters as much as they do. They are working hard, one might say frantically, to make something out of the script. Everybody else, including Jean Seberg, Patrick O'Neil, Coleen Dewhurst and Zohra Lampert are wasted in non-roles that should have been played by less talented actors.
Altogether, not an enjoyable film, but possibly worth a look as an example of a bad New York City mid-60's comedy. It'll make you appreciate "Barefoot in the Park" that much more.