When Johnny Gaddar came out three years ago I had got a feeling that Indian Cinema is beginning to come of age. It was executing scripts which were never written before. Soon scripts like Oye Lucky Lucky Oye, Gulaal, Dev D, Khosla Ka Ghosla, Rock on!, Ishqiya, Taare Zameen Par, Black Friday etc had the cake of Indian Cinema nicely baked. Love, Sex Aur Dhokha is almost like an icing on that cake. You can safely say Indian Cinema has come of age and is never gonna look back to the Star system (read Khan System) and the Yash – Barjatya house of melodrama. Even if that will continue to sell more is irrespective.
Still let me point out LSD is not an original its style and premise is copied from Adam Rifkins Look.
Nevertheless, Whats the fuss ? Unfortunately I cannot reveal how LSD unrolls itself and I would suggest you go into the theater expecting nothing. Please do not read any reviews from any national dailies critics they just end up revealing just too much.
So whats the bottom line: Dibakar Banerjee undertakes a biting satire study of the growing fascination of the Indian Middle class with the camera whether it is the MMS scandals, or the umpteen sting operations. Just Like OLLO he takes a heavy dig at the media, the mentality of the Indian middle class and even our fascination with sting operations and voyeur sex.
The beauty of the film lies in the fact that it is actually shot in the first person point of view. Through your web cams, through your hand held, through your Security cams etc.
It must have been difficult to shoot like that but it must have been even more difficult to get the emotions of the characters on screen through to the audience when there are no dramatic camera angles, no mid shot and no extreme close up to shoot. Dibakar however manages the perfect mix of these shots using in most cases a still camera. You feel heavily for his motley crew of characters as they feel happy or totally disoriented in the emotionally heavy (read shocking) script.
That's where the most superlative cast I have ever seen comes on screen. At times you get the feeling Dibakar might have just let them play themselves and left his handy cam on. I don't remember any name but each of them are plain brilliant there's is just no other adjective to describe them.
There is also the most perfect concoction of Humour, Romance, Mind Numbing Violence, Biting satire, strong emotion and sex in the script. To top it Dibakar just refuses to switch off the camera even when you are cringing for the visual to stop. Once the camera's REC button is switched on you better be ready to sit through everything!!
And of course for Delhi lovers lets make no mistake, the typical Delhi characters which is trademark Dibakar with their "Behenchods" and "Oye Haan Jee Haan" are all back with the kick ass Bhangra score
Watch out for the Typical Delhi Office store clerk in the Sex episode who goes with sentences like "Waah Waah Badi Nehru Market Lag Rahi Hai"
Final Verdict : Go watch it and remember this is where Indian Cinema has finally caught up with its international counterparts.
Special Mention for the Item number " I cant hold it any longer" . Just pay attention to the lyrics and the chorus which actually goes "FO FO FO FO"
I would have given it a 10/10 but for the fact that it is copied from LOOK.
Still let me point out LSD is not an original its style and premise is copied from Adam Rifkins Look.
Nevertheless, Whats the fuss ? Unfortunately I cannot reveal how LSD unrolls itself and I would suggest you go into the theater expecting nothing. Please do not read any reviews from any national dailies critics they just end up revealing just too much.
So whats the bottom line: Dibakar Banerjee undertakes a biting satire study of the growing fascination of the Indian Middle class with the camera whether it is the MMS scandals, or the umpteen sting operations. Just Like OLLO he takes a heavy dig at the media, the mentality of the Indian middle class and even our fascination with sting operations and voyeur sex.
The beauty of the film lies in the fact that it is actually shot in the first person point of view. Through your web cams, through your hand held, through your Security cams etc.
It must have been difficult to shoot like that but it must have been even more difficult to get the emotions of the characters on screen through to the audience when there are no dramatic camera angles, no mid shot and no extreme close up to shoot. Dibakar however manages the perfect mix of these shots using in most cases a still camera. You feel heavily for his motley crew of characters as they feel happy or totally disoriented in the emotionally heavy (read shocking) script.
That's where the most superlative cast I have ever seen comes on screen. At times you get the feeling Dibakar might have just let them play themselves and left his handy cam on. I don't remember any name but each of them are plain brilliant there's is just no other adjective to describe them.
There is also the most perfect concoction of Humour, Romance, Mind Numbing Violence, Biting satire, strong emotion and sex in the script. To top it Dibakar just refuses to switch off the camera even when you are cringing for the visual to stop. Once the camera's REC button is switched on you better be ready to sit through everything!!
And of course for Delhi lovers lets make no mistake, the typical Delhi characters which is trademark Dibakar with their "Behenchods" and "Oye Haan Jee Haan" are all back with the kick ass Bhangra score
Watch out for the Typical Delhi Office store clerk in the Sex episode who goes with sentences like "Waah Waah Badi Nehru Market Lag Rahi Hai"
Final Verdict : Go watch it and remember this is where Indian Cinema has finally caught up with its international counterparts.
Special Mention for the Item number " I cant hold it any longer" . Just pay attention to the lyrics and the chorus which actually goes "FO FO FO FO"
I would have given it a 10/10 but for the fact that it is copied from LOOK.