There's inherent limitations built into most TV movies. They tend to feel just a little closed in, without a lot of focus on cinematography. "Witness Protection" has the sense of being (literally) in a locked room. It provides an opportunity to focus almost completely on the actors and their performances. And there's some great performances, too. The three leads (Sizemore, Mastrantonio, Whitaker) get deep under the skin of their characters. The interaction between Sizemore and Mastrantonio, especially, reaches a level of tenderness and darkness that's totally unanticipated.
This film works well to director Richard Pearce's ability with actors, but doesn't provide him much in the way of visual opportunity like some of his stunning feature films (Threshold, Country, The Long Walk Home, A Family Thing). But, although "Witness Protection" sounds uninteresting and doesn't look much better, it is a numbing, dramatic punch to the face. There's a ton of depth to the writing here, brought to full bear by the actors. The only off-key note was with young Skye McCole Bartusiak, who is sometimes forced to express levels of emotion that she's not completely capable of getting across. Watch this film, though. You just might get something from it.
This film works well to director Richard Pearce's ability with actors, but doesn't provide him much in the way of visual opportunity like some of his stunning feature films (Threshold, Country, The Long Walk Home, A Family Thing). But, although "Witness Protection" sounds uninteresting and doesn't look much better, it is a numbing, dramatic punch to the face. There's a ton of depth to the writing here, brought to full bear by the actors. The only off-key note was with young Skye McCole Bartusiak, who is sometimes forced to express levels of emotion that she's not completely capable of getting across. Watch this film, though. You just might get something from it.