We all need a paycheck. Even James Bond has to take his medicine sometimes, and "Obsession" would be long lost and forgotten if not for the Craigies who dare venture this far into Daniel's resume.
The editing is bad and the direction is worse. It's all the pointlessness of an independent film, meets the random technique of a foreign film. And don't be fooled by the cover of the new release, which bills it as some kind of thriller. It's really a meandering love story about a self-absorbed tramp with two boyfriends. One is a big jerk and the other is a sweet English boy, the child version of Daniel Craig, complete with higher voice (but don't worry, he still looks forty). Said Tramp is the same one from "Love Actually." She's too stupid to make up her mind, and thinks it's cute to string men along when they're both being faithful to her. And she has no personality, because her character is deliberately vacant or because the script doesn't allow for it, but both guys are smitten with her. For some reason they think they can't do better. (Well I guess Jerk is lucky to have anybody, but Sweet certainly could.)
The story tries to go somewhere but doesn't care if you're actually following. It does have some good scenes (all Daniel's) and some pieces of decent direction sprinkled in, but the main relationship doesn't work. Sweet and Tramp never even get introduced; the editor hacks them together and they hardly say a word before they're suddenly "in love." Little else is explained, including a shoplifting incident that is the catalyst for the whole movie. This is one of the few segments of good direction, but it occurs in the first five minutes of the film and suggests that the rest will be similarly coherent. (Any hope of that is dashed five minutes later.) It happens and then is dropped completely and seems like a plot from another, better movie.
So, this thing is a mess. But worth seeing just for Craig. He turns in a solid performance, but has stepped up his game nicely from such beginnings.
The editing is bad and the direction is worse. It's all the pointlessness of an independent film, meets the random technique of a foreign film. And don't be fooled by the cover of the new release, which bills it as some kind of thriller. It's really a meandering love story about a self-absorbed tramp with two boyfriends. One is a big jerk and the other is a sweet English boy, the child version of Daniel Craig, complete with higher voice (but don't worry, he still looks forty). Said Tramp is the same one from "Love Actually." She's too stupid to make up her mind, and thinks it's cute to string men along when they're both being faithful to her. And she has no personality, because her character is deliberately vacant or because the script doesn't allow for it, but both guys are smitten with her. For some reason they think they can't do better. (Well I guess Jerk is lucky to have anybody, but Sweet certainly could.)
The story tries to go somewhere but doesn't care if you're actually following. It does have some good scenes (all Daniel's) and some pieces of decent direction sprinkled in, but the main relationship doesn't work. Sweet and Tramp never even get introduced; the editor hacks them together and they hardly say a word before they're suddenly "in love." Little else is explained, including a shoplifting incident that is the catalyst for the whole movie. This is one of the few segments of good direction, but it occurs in the first five minutes of the film and suggests that the rest will be similarly coherent. (Any hope of that is dashed five minutes later.) It happens and then is dropped completely and seems like a plot from another, better movie.
So, this thing is a mess. But worth seeing just for Craig. He turns in a solid performance, but has stepped up his game nicely from such beginnings.