well not the worst movie I have seen but certainly a disappointing one given the cast and the director.
The movie had the structure and intimacy of a play which would have been alright if it had explored deeper into the characters' intentions and the meaning of their actions.
As it were they were predictable and cliché-y: the superficial billionaire, the jealousy ridden transvestite; the vulnerable baby faced model; the over the top "artiste" designer; the cold critic; the body guard (who had too much time to talk to the camera to be doing his job) etc. The story is unclear on what really happens to the two models though we know we should mourn but over what? Suicide, murder accident? We see repeated shots of the characters with cliché gestures of sorrow but we cannot share in the tragedy as we don't know what happened. We are led to believe that the blogger has incited a mayhem of protest but would people -young people we are told- protest so vehemently against some stupid fashion's show? Which gets rerun after the first corpse is not even buried? I don't buy that.
The format should have yielded amazing performances as in THINGS YOU CAN TELL JUST BY LOOKING AT HER by Rodrigo Garcia where the actors are stripped bare in front of a close up camera, but in RAGE they chose to follow preset tracks giving little more than prefab personae and that flatness is what kills the movie. Save for Dame Dench who is always superb; Dianne Weist's smile and voice as sweet as honey and Adriana Barraza who steals the movie as Anita de Los Angeles, the only believable and truly sympathetic character in the story. I was disappointed by Buscemi and Leguizamo who can do better acting (Buscemi is excellent as a grieving father in The Messenger) and by Izzard whose straight acting does not convince me - I love his cross dressing comedy routines and he should stick to them. Law is well hidden under wigs and make up and though I was reminded of him (his amazing eyes, beautifully enhanced by make up) mid movie I did not realize it was actually him. Still his Minx was just a caricature of a shallow diva who wants to grab and hold our attention, nothing more.
The vivid color backgrounds made for interesting optical tricks when complementary colors clashed and glowed almost hurt the eye, but were insufficient to keep one interested. It's a pity that Potter's failed to go beyond color and costumes for I loved Orlando, her aesthetic was formidable in that movie and Virginia Woolf's story well adapted to her eye for rich costume imagery.
The movie had the structure and intimacy of a play which would have been alright if it had explored deeper into the characters' intentions and the meaning of their actions.
As it were they were predictable and cliché-y: the superficial billionaire, the jealousy ridden transvestite; the vulnerable baby faced model; the over the top "artiste" designer; the cold critic; the body guard (who had too much time to talk to the camera to be doing his job) etc. The story is unclear on what really happens to the two models though we know we should mourn but over what? Suicide, murder accident? We see repeated shots of the characters with cliché gestures of sorrow but we cannot share in the tragedy as we don't know what happened. We are led to believe that the blogger has incited a mayhem of protest but would people -young people we are told- protest so vehemently against some stupid fashion's show? Which gets rerun after the first corpse is not even buried? I don't buy that.
The format should have yielded amazing performances as in THINGS YOU CAN TELL JUST BY LOOKING AT HER by Rodrigo Garcia where the actors are stripped bare in front of a close up camera, but in RAGE they chose to follow preset tracks giving little more than prefab personae and that flatness is what kills the movie. Save for Dame Dench who is always superb; Dianne Weist's smile and voice as sweet as honey and Adriana Barraza who steals the movie as Anita de Los Angeles, the only believable and truly sympathetic character in the story. I was disappointed by Buscemi and Leguizamo who can do better acting (Buscemi is excellent as a grieving father in The Messenger) and by Izzard whose straight acting does not convince me - I love his cross dressing comedy routines and he should stick to them. Law is well hidden under wigs and make up and though I was reminded of him (his amazing eyes, beautifully enhanced by make up) mid movie I did not realize it was actually him. Still his Minx was just a caricature of a shallow diva who wants to grab and hold our attention, nothing more.
The vivid color backgrounds made for interesting optical tricks when complementary colors clashed and glowed almost hurt the eye, but were insufficient to keep one interested. It's a pity that Potter's failed to go beyond color and costumes for I loved Orlando, her aesthetic was formidable in that movie and Virginia Woolf's story well adapted to her eye for rich costume imagery.